Southern writer and first-timer Parker combines a lyrical style with a fully articulated social world—in a tale of love and betrayal, ambivalence and desire, and guilt and addiction. Set in small-town 1950's North Carolina, this sordid melodrama transcends its pulpy roots in period novels of drug addiction. Edwin Keane's charmed life falls apart one night when he drives his car off a back road, killing his fiancÇe. Son of the town's bigwig, this ``handsome, healthy college kid'' descends into a nether world of morphine use, ostensibly for his injured back. Protected in ``narcotic complacency'' by his family and friends, Edwin moves into a cabin owned by his parents and harasses the local pharmacy to increase his dosages. But the assistant pharmacist, moved partly by class resentment and partly by a desire ``to save'' Edwin, refuses to indulge his pain and self-pity. Obsessed by his vision of the accident, Edwin is finally stirred by a new sight: a beautiful girl from the wrong side of the tracks. Despite her white-trash origins, Eureka Speight is no ordinary teenager, but a bright and dreamy angel of ``ethereal fleetness''—and better than morphine in Edwin's view. With the help of Eureka and the pharmacist, Edwin kicks the habit in a Kentucky clinic, only to return back home where all his problems resurface—not just his memory but his oppressive mother, his indifferent father, and all the responsibilities of his class. The pharmacist and Eureka's father conspire to return the young woman to her rightful place at home, and enlist her brother Randall, a loquacious and incorrigible Huck figure whose innocence is exploited to this end. There's much texture to this haunting tale of sin and redemption, of sacrifice and punishment, making it more than a story of star-crossed lovers. Much like the hothouse Faulkner of Sanctuary, with the same bitter humor and nihilistic denouement.
Pub Date: Feb. 1, 1993
ISBN: 0-684-19424-4
Page Count: 288
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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