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UNLOCKING THE IRON CAGE

THE MEN'S MOVEMENT, GENDER POLITICS, AND THE AMERICAN CULTURE

A sociologist's sympathetic account of a much-maligned movement. To the general public, the ``men's movement'' mostly evokes images of half-naked, white, middle-aged men beating drums in the forest. Schwalbe (North Carolina State Univ.), who went out among these wannabe savages, reports that these images are accurate— but somewhat misleading. The so-called mythopoetic activities that the men engage in—which Schwalbe describes in detail—do include dancing, drumming, poetry reading, and sharing feelings. But what Schwalbe uncovers are the social forces behind the participants' need to join in these rituals. The men involved, reports Schwalbe, are largely the products of families with abusive or absent fathers. Lacking positive male role models in childhood, and believing that their notions of masculine inferiority are confirmed by feminist criticisms of men as selfish, egotistical, and power-driven, some men sought a way to rid masculinity of its negative image. The men's movement's brand of ``loose essentialist'' Jungian psychology fills this need by confirming that archetypally ``masculine'' traits are normal, though some are good and some bad; at the same time, it allows men to redefine their masculinity by achieving a positive balance among various archetypes. In other words, the men's movement lets them eat their cake and have it, too. While affirming the value of much that the movement offers its adherents, Schwalbe criticizes some of the movement's prevalent attitudes, such as its antifeminism, or afeminism. Because the participants are involved in their own pain and disillusion, explains Schwalbe, they can be insensitive to the legitimate grievances of women. Schwalbe also notes the inherent exclusivity and homophobia of the movement and its conscious or unconscious acceptance of a male supremacist society. A thoughtful inside look at a phenomenon that will give both opponents and proponents of the men's movement cause to reconsider.

Pub Date: Jan. 1, 1996

ISBN: 0-19-509229-5

Page Count: 278

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1995

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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