A little dark to be a comic caper, but with an original plot and Texas-true characterizations, it’s a top-notch mystery.
In his modern Texas whodunit, Blakely melds a Las Vegas Mafioso tale into the Austin music scene.
It’s 1975, and Creed Mason has come back to Texas just as alt-country is taking off. Creed’s a Vietnam vet with a Purple Heart; he’s bitter because his one-time singing partner, Dixie Houston, parlayed his talent into her own fame after he was drafted. Blakely’s Texas tale widens its trail to follow Austin-bound Rosabella Martini, who's running from her Vegas wiseguy uncle Paulo. Rosabella was adopted, and so there was no blood loyalty in play after she stumbled on her cousin Franco cleaning up a mob hit. Franco's trailed her to Texas and made her his next victim. Next enters Luster Burnett, a legendary but long-retired country musician with a "tone as smooth as an aged whiskey." Luster’s manager shot himself, leaving the singer with gambling markers—some held by Paulo Martini—an IRS lien and the need to get out on the road to sell some records. Creed meets Luster at a poker game and ends up as his band leader, which gives the author, a professional musician, a chance to display his chops writing about the bus-riding, beer-drinking, honky-tonk life of a work-a-day guitar player, right down to the barroom gigs where fights spread "like ripples from a rock tossed into the corner of a pool of nitroglycerin." Blakely’s grip on 1970s social transitions shines as well as he describes a land where folks were still trying to work out who's "colored" and who can be called "boy" as he brings in African-American FBI Special Agent Mel Doolittle, on Paulo's case in Vegas, to partner with Texas Ranger Hooley Johnson, who's investigating Rosabella's murder. Toss in fishing, floating poker games, a précis on songwriting and a fiddler with a propensity for puking, and Blakely brings it all together with a Las Vegas shootout and an unanticipated payoff.
A little dark to be a comic caper, but with an original plot and Texas-true characterizations, it’s a top-notch mystery.Pub Date: Nov. 18, 2014
ISBN: 978-0-7653-2751-2
Page Count: 352
Publisher: Forge
Review Posted Online: Oct. 7, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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