Though the book itself is fragile (the tabs are on the flimsy side), the original take on some of the pairings breathes new...
This new opposite concept book is a clever feat of paper engineering.
Combining elements of a pop-up book with pull tabs, this offering displays evidence of thinking outside the box. Reinforcing familiar antonym pairs while introducing new ones, the 18 opposites include beginning/end, ancient/modern, shallow/deep, empty/full, heavy/light, together/apart and near/far. On each page, pulling or sliding a labeled tab reveals the word’s opposite and changes the picture to match. Big/small is one of the standouts—the Earth is big, but a pull of the tab brings fingers closing down on it, suddenly small enough to fit in a hand. Another is tame/wild—the bush behind an orange cat conceals a ferocious tiger. Not all are as successful, however. Fast/slow utilizes the famous race between the tortoise and hare, but it is not clear which attribute belongs to which animal through the engineering. Past/present as represented by an arrow shot from a bow and a space shuttle may not effectively convey the meanings of these concepts to young readers. Bright colors and humorous details keep readers’ interest, as on the quiet/loud page, when a mouse causes an elephant to rear and trumpet loudly.
Though the book itself is fragile (the tabs are on the flimsy side), the original take on some of the pairings breathes new life into some often-clichéd opposites. (Pop-up. 2-5)Pub Date: Sept. 18, 2012
ISBN: 978-0-7534-6624-7
Page Count: 40
Publisher: Kingfisher
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
Watching unlikely friends finally be as “happy as two someones can be” feels like being enveloped in your very own hug.
What to do when you’re a prickly animal hankering for a hug? Why, find another misfit animal also searching for an embrace!
Sweet but “tricky to hug” little Hedgehog is down in the dumps. Wandering the forest, Hedgehog begs different animals for hugs, but each rejects them. Readers will giggle at their panicked excuses—an evasive squirrel must suddenly count its three measly acorns; a magpie begins a drawn-out song—but will also be indignant on poor hedgehog’s behalf. Hedgehog has the appealingly pink-cheeked softness typical of Dunbar’s art, and the gentle watercolors are nonthreatening, though she also captures the animals’ genuine concern about being poked. A wise owl counsels the dejected hedgehog that while the prickles may frighten some, “there’s someone for everyone.” That’s when Hedgehog spots a similarly lonely tortoise, rejected due to its “very hard” shell but perfectly matched for a spiky new friend. They race toward each other until the glorious meeting, marked with swoony peach swirls and overjoyed grins. At this point, readers flip the book to hear the same gloomy tale from the tortoise’s perspective until it again culminates in that joyous hug, a book turn that’s made a pleasure with thick creamy paper and solid binding.
Watching unlikely friends finally be as “happy as two someones can be” feels like being enveloped in your very own hug. (Picture book. 3-5)Pub Date: April 2, 2019
ISBN: 978-0-571-34875-6
Page Count: 48
Publisher: Faber & Faber
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
A bright, open primer for Escher.
A young child discovers a portal to a whole other plane of perspective in Robinson’s latest.
In the dark of night, a portal opens in a small girl’s bedroom, the light attracting her cat. When the curious feline crawls through to chase another cat that looks just like it (but with a different color collar), the little girl cannot help but follow as well. Through the portal, the world goes topsy-turvy—up is down, right is left, and color and shape capriciously collide as the ever smiling girl and her cat move from plane to plane. The duo eventually happens upon other children, all playing with alternate versions of themselves, and after a few page turns, our protagonist—a girl of color with black, beaded braids—spots her alternate self as well. The pair share a few meaningful moments, exchanging smiles and cat toys, until eventually each returns to her bed with the small promise of further adventures to come. The simple geometry of Robinson’s work comes alive in this expanse of wordless narrative. A fearless use of white space and an utter disregard of conventions of direction encourage readers to engage with the physical book as the story unfolds, touching and turning it as they literally take the narrative into their hands.
A bright, open primer for Escher. (Picture book. 2-5)Pub Date: March 5, 2019
ISBN: 978-1-5344-2167-7
Page Count: 56
Publisher: Atheneum
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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