by Miles Hordern ‧ RELEASE DATE: March 1, 2003
Whatever the reason, readers of his engaging narrative will be happy to spend a few more days in his company. (8-page color...
A British-born newcomer describes his pleasant, single-handed sailing mooch across an unequalled expanse of water, the Southern Ocean between New Zealand and South America.
Hordern’s remarkably unsentimental about his 28-footer, rather small for so formidable an ocean, and he’s unspooked by the legendary weather regularly dished out in such latitudes. Not that Hordern is smug or stupid; he simply finds himself an inextricable thread woven into the history of sailing the South Pacific: “bound up with Greek cosmologers, medieval mapmakers, poets, and whalers.” His equipment is simple and efficient, he likes what he is doing, he trusts the auguries. He won't ignore a storm warning, but what really raises the hair on his neck is reading that a set of reefs or shoals are doubtfully positioned on his chart, perhaps phantoms altogether; though Davis Land, Sophie Christiansen Shoal, and Emily Rock have been spotted numerous times, they’ve failed to be spotted an equal number. While he appreciates GPS as part of the routine when he gets his noon fix, he’s more impressed by how he has become a sea creature in his own right. “You have an agility, a set of physical skills, that aren't needed on land,” he comments. Through it all, Hordern is a master of deadpan: “I made landfall on the coast of Chilean Patagonia in mid December, after a six-week passage.” Falling overboard during a squall is a worthy little story, but more fascinating to Hordern is an event “easy to describe . . . not easy to explain”; when he got to Easter Island after some serious sailing, he scooted on past. Similarly, within hailing distance of New Zealand on his return, Hordern turned his boat around and sailed aimlessly for three days, finally landing in Fiji. He confides to a friend that he thinks it was a nervous breakdown.
Whatever the reason, readers of his engaging narrative will be happy to spend a few more days in his company. (8-page color photo insert)Pub Date: March 1, 2003
ISBN: 0-312-31081-1
Page Count: 256
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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