by Miranda Seymour ‧ RELEASE DATE: Sept. 1, 2001
An evocative, empathetic treatment of what was, in all senses of the word, a difficult life.
A new biography of the author of Frankenstein that aims to comprehend her character rather than assess or advance her literary standing.
The first part of the story is well-known. In 1814, 16-year-old Mary Wollstonecraft Godwin, daughter of two brilliant and celebrated liberal thinkers, eloped with her father’s married disciple, Percy Shelley. Two years later, Mary’s masterpiece was conceived on a stormy night at Byron’s house in Switzerland. After eight itinerant years in Percy’s entourage, which included her stepsister, Claire Clairmont, she returned to England with her one surviving child, widowed, penniless, and, despite first-class literary connections that she retained throughout her life, a social pariah. Determined to exhalt Percy’s literary reputation but forbidden by her intransigent father-in-law from using his name in print, she wrangled with publishers and biographers behind the scenes, writing what she could to support her family. She died in 1851, almost 30 years after her husband. In able if somewhat repetitive prose, novelist and biographer Seymour (Robert Graves, 1995, etc.) considers the personality of a woman who, having defied convention in youth, courted respectability for the rest of her life. Though won over by the poet's passions for sexual freedom and social justice, Mary was never a Shelleyan radical; she married Percy as soon as she could and always resented Claire’s presence in their ménage. Most biographers have considered how the events in Mary’s life fed the chronic sense of abandonment that Frankenstein’s Creature so magnificently expresses. Seymour prefers to emphasize Mary’s obsessive temperament and her guilt over the suicide of Percy’s first wife and over her own withdrawal from the poet before he died. Defending Mary’s later narrowness, Seymour points out the unhappiness of a life burdened throughout by financial distress and the distortions of celebrity. Aside from her political ideas and activities, which Seymour carefully tracks, Mary’s other intellectual interests are rather neglected. They are better addressed by Muriel Spark’s 40-year-old study and by more recent criticism, to which this work serves as a worthy complement.
An evocative, empathetic treatment of what was, in all senses of the word, a difficult life.Pub Date: Sept. 1, 2001
ISBN: 0-8021-1702-3
Page Count: 672
Publisher: Grove
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2001
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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