Smart and funny, Newman’s debut is a refreshing take on juvenilia and the enduring potency of art discourse.
A wayward 20-something art critic discovers a great deal about himself and his hometown in pursuit of a missing package.
The inciting incident for debut author Newman’s raucous first novel is a simple mix-up of the Royal Mail. Natwest, a once-precocious English teen and aspiring art critic, has aged into a pretentious young adult finally headed off to university. The morning before departing his small town for the big city, Natwest anxiously awaits the arrival of a discreet package of particular length and girth, only to inadvertently swap parcels at the post office with his mother’s employer, dentist Dr. Richard Hung (pun very much intended). As Natwest attempts to recoup his item, his path intersects with a number of seemingly minor characters whose roles gradually assume greater importance: Mrs. Pandey, a former teacher who fostered young Natwest’s potential; Joan, a widower across the street who’s getting back into the dating scene; and Mishaal, a local imam enduring an unhappy marriage. Newman expertly threads together the minor events and small mishaps of the characters’ lives in a convincing recreation of the inescapable social overlap that often defines life in a small town. Underlying it all is a preoccupation with beauty and the value of art. Natwest obsessively sees references everywhere: His mother in an orange nighty recalls “Leighton’s Flaming June”; the stares of disapproving neighbor boys “pierced him like the arrows in a St. Sebastian picture.” More than motifs, artistic legacies are also the source of much of the book’s humor—at one point, Natwest imagines Geoff Dyer attending his funeral. Newman works in more profound interactions as well. Reconnecting on a park bench, Natwest and former mentor Mrs. Pandey debate the artistic merits of a nail salon mural painted in the style of Michelangelo’s Creation of Adam, the outstretched fingers on each figure sporting pink nail polish: It’s Žižekian, it’s Jungian, it’s Pop Art in situ, “Warhol’s soup cans, restored to the Asda aisle.” In seeking to balance intelligent prose, insightful commentary, and compelling characters, Newman delivers.
Smart and funny, Newman’s debut is a refreshing take on juvenilia and the enduring potency of art discourse.Pub Date: Aug. 13, 2024
ISBN: 9780593654903
Page Count: 288
Publisher: Viking
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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