A mixed bag of silliness and magic that will appeal to those who are hooked by the title—and fall short for readers who roll...
A modern prankster meets his match when a medieval prankster-turned-genie is lodged in his nose in this humor-of-the-gross series starter.
Prince Loogar considers himself the prince of pranks. He’s also the son of the king of Garoth, an invented kingdom in a medieval England where ogres run rampant and wizards can turn enemies into genies. After hoaxing the castle wizard, Loogar is captured in a tiny bead, discovered around 800 years later by Charlie, who collects it for a craft project. Charlie is a good-natured mischief-maker whose father enjoys trading jokes with him—but when one of Charlie’s teachers decides to quit, Charlie and his friends worry their hijinks could have been the cause. After getting Prince Loogar lodged in his nose, Charlie has a malevolent genie complicating his tricks—until Loogar learns that only good deeds will free him from his curse and possibly return him to his own time. The silly conceits of Prince Loogar’s castle leave no doubt that there’s scant resemblance between his England and the historical one, but Charlie feels like an authentic grade schooler. The booger jokes, the silly shenanigans and the sorry state of Loogar living in Charlie’s nose are sure to win over the Captain Underpants crowd. The illustrations by Herholz and Castle are reminiscent of Quentin Blake’s illustrations for Roald Dahl’s classic novels. The plot is slight, and the abrupt ending—in which Loogar learns he must do more than one good deed to be free of his curse—feels like a stopping point rather than a conclusion, even of a first installation. What remains is a lightweight tale of slapstick comedy with slight characters and an obvious lesson about being considerate of other people. With its accessible vocabulary and gross-out humor, the slim volume has the potential to be a hit with reluctant readers, especially boys.
A mixed bag of silliness and magic that will appeal to those who are hooked by the title—and fall short for readers who roll their eyes at booger jokes.Pub Date: Nov. 16, 2012
ISBN: 978-1479272013
Page Count: 100
Publisher: CreateSpace
Review Posted Online: Dec. 28, 2012
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
After some autobiographical excursions, Dahl here returns to the sort of whimsically grotesque fantasy that makes grown-ups wince and children beg for more. His heroine is five-year-old Matilda, a genius whose mathematical abilities, as well as her impressive reading list (Hemingway, Steinbeck, etc.), are totally unappreciated by her father—a dishonest used-car salesman—and her mother, a devotee of bingo and TV soaps. Only when the girl enters school does she find an understanding ally, Miss Honey, a paragon of virtue who attempts to defend her pupils against unbelievably cruel headmistress Miss Trunchbull, who hates children in direct proportion to their youth and tortures them accordingly. Just when things seem to be at their worst, Matilda discovers still another gift, telekinesis, enabling her to defeat the horrible Trunchbull and give Miss Honey, and herself, a new start. Dahl's tightly woven plots, his strict sense of absolute justice, and his raunchy "funny bits" make him popular with children who also appreciate the empowerment he grants to his smaller, weaker protagonists. Matilda is the most simplistic of his efforts in this direction, but it does retain the time-honored appeal, abetted by Blake's apt illustrations. It probably should be marked "For Children Only," though. And Dahl slips badly when he says that C.S. Lewis and J.R.R. Tolkien have no "funny bits" in their books.
Pub Date: Oct. 1, 1988
ISBN: 0142410373
Page Count: 240
Publisher: Viking
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Sept. 15, 1988
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
SEEN & HEARD
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