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ANCIENT EVENINGS

Egypt, 1100 B.C.: a narrator without memory ("I still did not know who I was, nor how old I might be") finds himself in the Necropolis, in the tomb of young, dead nobleman Menenhetet the Second. . . and only slowly realizes that he is in fact "nothing but the poor Ka" (part of the soul) of Meni II. An unnerving, disorienting, promising beginning for this 700-page novel—but then, alas, the Ka of Meni II meets the Ka of his great-grandfather Meni I, a much-reincarnated High Priest who will be the primary narrator in the six long, lifeless sequences that follow. In "The Book of the Gods," Meni I offers a mini-history of Ra, Isis, Horus, Set, et al., seen in terms of "shit, blood-sacrifice, and fucking" (especially homosexual rape—a major preoccupation throughout the novel). In "The Book of the Child," Meni II remembers a childhood visit—with father, mother Hathfertiti, and Meni I—to Pharaoh Ramses IX, an endless evening during which Meni I tells the four-"Book" story of his previous existence in the bygone era of Ramses II: he is the Pharaoh's Charioteer and rape victim ("I was no longer myself but His, and loved Him. . . but I also knew I would never forgive him"); he's a leader in the Battle of Kadesh against the Hittites (powerful war scenes), indulging in cannibalism; he then becomes "Nanny of the harem," consorting in kinky rituals with the sorceress/ courtesan Honey-Ball (but also having threesies sex with the Pharaoh and a pig); next he's courtier/lover to Nefertiri, the Pharaoh's dumped queen ("you fucker, give Me your obelisk," she murmurs); eventually, in life #2, he'll become High Priest. And, while Meni I's reminiscences go on and on, Meni II's passive father sleeps (one can hardly blame him)—but the six-year-old Meni II himself becomes increasingly aware of the sexual cracklings in the air: the lust between Ramses IX and Hathfertiti, the sexual secrets of Meni I and Hathfertiti. . . and, above all, Meni II's own simmering "desire for my Mother" (they will indeed become lovers). Did Mailer's research into Ancient Egypt reveal a cultural fixation on Oedipal incest, fellatio, anal rape, and castration anxiety? Or is this a willful projection of Freudian preoccupations onto the world of the Pharaohs? Whichever the case, the result is oddly stagnant fiction—straining to conjure up a nexus between mysticism and sex. And though there are passages of vividly exotic Egyptology, along with a few of coarsely amusing anachronism, this flatly episodic epic most often seems embalmed in its own obsessions—with little to reward the many readets who'll be drawn by the Mailer name and the media interest.

Pub Date: April 25, 1983

ISBN: 0349109702

Page Count: 709

Publisher: Little, Brown

Review Posted Online: Sept. 28, 2011

Kirkus Reviews Issue: April 1, 1983

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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