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LEAVING COLD SASSY

In 1984, the late Burns (d. 1990) published Cold Sassy Tree—a spirited, southern small-town rural tale with robust characters and a regional period (1906) diction that was as tangy and real as grits. Now comes this partial sequel—which continues the story of Will Tweedy and the courting of his future wife—that Burns, with extraordinary courage, worked on through her final illness. Burns's editor, Katrina Kenison, who was left with notes and letters by the author to indicate plotlines beyond the 15 finished chapters here, has contributed a tribute and personal reminiscence. The previous novel concerned the adventures of narrator Will Tweedy, then 14, of Cold Sassy Tree, Georgia, who among others wondered at the shocking marriage of newly widowed Grandpa Blakeslee and the stylish Miss Love. Now, in 1917, Grandpa is gone, and boarding with Miss Love is that ``pure-T beauty,'' new schoolteacher Sanna Maria Klein, who's infatuated with a Harvard boy—until her disastrous visit to his fancy home when bath water floods a festive board. Will's courting moves on—even through a Thanksgiving when Sanna's usually genial foster-father, snookered on moonshine, saws a half moon out of the dining-room table to accommodate his massive stomach—but there are seeds of trouble even before the wedding: Will, a county agent for the state's Department of Agriculture, speaks of farming's gamble as ``excitin','' Sanna says, ``I hate excitement...just another word for worry.'' Meanwhile, most of the Cold Sassy Tree cast is here again: abrasive Aunt Loma, who can whistle ``Whispering Hope'' so thrillingly at church but who has crazy marriage plans, as well as a mean deal for her son; Will's parents, yoked but apart; and townsfolk who have the stubborn endurance of hardscrabble lives beyond their salty talk. For fans of Cold Sassy Tree, an essential; for newcomers, a spur to read the earlier novel. Kenison's tribute to Burns, a gentle, gallant woman, comprises half of the book. (Eight-page photo insert)

Pub Date: Oct. 18, 1992

ISBN: 0-89919-908-9

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1992

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THE GREAT ALONE

A tour de force.

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  • New York Times Bestseller

In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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