by Olivier Tallec & illustrated by Olivier Tallec ‧ RELEASE DATE: Nov. 1, 2012
It is a truism that children represent the future—engaging stories about conflict resolution are necessary, and this one...
The pointlessness of war, powerfully told despite having no words.
Two squat soldiers, one dressed in electric blue, the other in fluorescent orange, spy on each other from across a field by peering through their spyglasses. (Clever circle die cuts in the cover show readers exactly what each soldier sees through his lens.) The dumpy, little men sit, watch and wait. An incident involving a small snail escalates into a huge argument, but even then, they don’t attack. They just yell and shake their fists (black cartoon scribbles enliven the fury). Seasons pass, and snow and rain pour down, but still, the men watch and wait. Until one day a bird, half blue and half orange, finally forces them to come face to face. The two soldiers, Waterloo and Trafalgar, realize they are not as different as they thought. In an added twist, when the perspective pans out to show the full surroundings, readers gain a delightful, surprising insight. Tallec excels in expression; every movement, from scrunched-up anger to an exuberant grin, is meticulously planned, and these funny little soldiers show a wide range of emotion.
It is a truism that children represent the future—engaging stories about conflict resolution are necessary, and this one stands out. (Picture book. 5-10)Pub Date: Nov. 1, 2012
ISBN: 978-1-59270-127-8
Page Count: 64
Publisher: Enchanted Lion Books
Review Posted Online: Aug. 21, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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BOOK REVIEW
by Olivier Tallec ; illustrated by Olivier Tallec ; translated by Antony Shugaar
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by Olivier Tallec ; illustrated by Olivier Tallec
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by Olivier Tallec ; illustrated by Olivier Tallec ; translated by Antony Shugaar
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PROFILES
by Ellen Potter ; illustrated by Felicita Sala ‧ RELEASE DATE: April 10, 2018
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Ellen Potter ; illustrated by Felicita Sala
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by Ellen Potter ; illustrated by Sara Cristofori
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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