Acting on the yearning expressed in the name she gave her son 11 years ago, Journey's mother has gone, leaving him with his grandparents and his older sister Cat. Mama sends money from time to time but no word or address. While Cat works out her distress by enlarging the farm garden, Journey struggles with his memories and tries to assign blame: Is it his fault that Mama left? Or is Grandfather, who's now preoccupied with snapping photos with the camera Mama also abandoned, an appropriate target for his anger? In supple, exquisitely economical style, MacLachlan (Sarah, Plain and Tall, Newbery Award, 1986) unfolds Journey's discoveries and insights along the way to his recognition that it's Grandfather—not the father who fled when he was a baby, not even Mama—who has always cared for him like a parent. In a symbolic act that Cat describes as ``murder,'' Mama ripped the family photos into tiny pieces that can never be rejoined; Grandfather is not only learning to take new photos but has found and is printing the old negatives. Meanwhile, a cat (``Bloom'') has insinuated herself into the family despite Grandma's aversion (she loves birds) and has given birth; and Journey has continued his friendship with Cooper, whose warm, happy family provides a healthy model: not perfect, but good enough—as Journey can finally describe their own family when Mama eventually telephones. Vintage MacLachlan: uniquely memorable people; a funny, pungent, compact, and wonderfully wise story. Illustrations not seen. (Fiction. 8+)*justify no*
Pub Date: Sept. 1, 1991
ISBN: 0-385-30427-7
Page Count: 96
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
