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LANTERNS

A curtain call for Veryan's Sanguinet series (Sanguinet's Crown, 1985, etc.), which, like her Golden Chronicles and Jeweled Man sagas, are Georgian/Regency-period adventures with various dastardly groups threatening to subvert the English government. Here, a battle-scarred, oddly magnetic veteran of the Sanguinet conflicts arrives in the country to outwit enemies and win a lady. Marietta Washington and elder sister Fanny are pretty, sharp-witted, but impoverished, thanks to the gambling forays of their weak but goodhearted widower father, Sir Lionel. Also at home, in addition to younger brother Arthur, is Aunt Dova, an eerie but lovable bird who converses with lifelike dolls and, in disguise, tells fortunes, having been blessed with ``A Mystical Window Through Time.'' The Warrington house is part of the estate of Lanterns, owned by the ever-absent Lord Temple, and is rumored to be haunted and to contain a fabled, priceless jewel, ``The Sigh of Saladin.'' Suddenly arriving to camp out in Lanterns is the polite but evasive Diecon, a retired Major who becomes Arthur's idol. Marietta, puzzled, is drawn to Diecon—but is he really just a free-spirited ex-soldier? What explains his brilliance at the violin? Meanwhile, Marietta is courted by the handsome, supposedly wealthy Blake, whose relationship to Diecon, when revealed, makes for an unpleasant surprise. Before Diecon's real identity is revealed and Blake vanquished, Diecon and Marietta deal with the tragedy of Marietta's brother Eric, involved in treason; Diecon's friend Joselyn courts Fanny; and there is a return of the terrifying Sanguinet mob (Claude S., the leader, is now deceased) involving a kidnapping and a grand showdown in Lanterns. The villains are vanquished, the Sigh of Saladin makes an appearance, and true lovers are united. Reliable Veryan, mixing romance, humor, light mystery, and a satisfyingly noisy finish with just enough touches of period diction and mores to add the right Regency flavor.

Pub Date: Oct. 1, 1996

ISBN: 0-312-14640-X

Page Count: 352

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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