by Paul Austin ‧ RELEASE DATE: Oct. 27, 2014
A poignant and candid father’s memoir.
An emergency room doctor and essayist tells the moving story of how he came to terms with being the father of a child with Down syndrome.
When doctors first told Austin (Something for the Pain: One Doctor's Account of Life and Death in the ER, 2008) and his wife, Sally, that their newborn daughter Sarah had trisomy 21, the couple went into shock. Neither could fully acknowledge that they had created a life that was anything less than perfect. Bonding with the child proved difficult at first, not because Sarah was a difficult baby but because the couple could not see themselves—or traits from their families—in her. They only saw the “simian crease” on Sarah’s palms that marked her as “abnormal.” The author and his wife also found they had to deal with the prejudices of others—e.g., the senior resident at the hospital where Austin trained who suggested that a Down syndrome child would be functional enough to “make a good pet.” Seeking to understand Sarah’s otherness, Austin explored the history of Down syndrome, the philosophical writings of Locke and Montaigne, and the art of the 15th-century Flemish masters. He discovered that the negative feelings he and others had toward his daughter were as much historical as they were a product of a society that scorned difference. As Sarah grew up, so did Austin. He began to see his child as a self-aware being who struggled with her limitations rather than a set of chromosomes gone awry. Sarah made the most of her abilities in events like the Special Olympics and gracefully accepted her fate to live as a member of a group home. This tender, bright and flawed child showed how being different enhanced her humanity rather than detracted from it.
A poignant and candid father’s memoir.Pub Date: Oct. 27, 2014
ISBN: 978-0393082449
Page Count: 320
Publisher: Norton
Review Posted Online: Aug. 3, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by Paul Austin
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Joshua Davis ; adapted by Reyna Grande
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edited by Reyna Grande & Sonia Guiñansaca
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by Reyna Grande
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