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WHERE I LIVE

POEMS ABOUT MY HOME, MY STREET, AND MY TOWN

A luminous sendoff, rich in happy memories and sweet nostalgia.

A posthumous gathering of short poems on themes of home and neighborhood.

All but four of the 34 poems Janeczko selected before his death in 2019 have appeared elsewhere; most were published after 2000. The roster of contributors will be largely familiar to readers of his many anthologies: X.J. Kennedy leads off with an affirmation that “Home” is “Wherever you sit down / to eat your supper, pet your cat, / do homework, watch TV,” Walter de la Mare describes peeking through window blinds to watch passersby, and Gary Soto offers a suburban “Ode to a Sprinkler.” In more reflective tones, Linda Sue Park writes evocatively of a wind in “October” playing tag with a plastic bag and Naomi Shihab Nye, of people like “leaves drifting / downhill in morning fog” on “Spruce Street, Berkeley.” Nikki Grimes and Nikki Giovanni chime in with summertime celebrations of, respectively, a “Block Party” and “Knoxville, Tennessee,” and Langston Hughes rounds things off with metaphorical images of a “City” that “Spreads its wings” in the morning and “In the evening… / Goes to bed / Hanging lights / About its head.” Yum echoes the pervasive air of peaceful serenity with colored pencil and watercolor scenes in which city, country, and suburban settings share presence with racially diverse groups and individuals, mostly children. (This book was reviewed digitally.)

A luminous sendoff, rich in happy memories and sweet nostalgia. (Picture-book poetry. 6-10)

Pub Date: March 14, 2023

ISBN: 978-1-5362-0094-2

Page Count: 48

Publisher: Candlewick

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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WRITE! WRITE! WRITE!

Here’s hoping this will inspire many children to joyfully engage in writing.

Both technique and imaginative impulse can be found in this useful selection of poems about the literary art.

Starting with the essentials of the English language, the letters of “Our Alphabet,” the collection moves through 21 other poems of different types, meters, and rhyme schemes. This anthology has clear classroom applications, but it will also be enjoyed by individual readers who can pore carefully over playful illustrations filled with diverse children, butterflies, flowers, books, and pieces of writing. Tackling various parts of the writing process, from “How To Begin” through “Revision Is” to “Final Edit,” the poems also touch on some reasons for writing, like “Thank You Notes” and “Writing About Reading.” Some of the poems are funny, as in the quirky, four-line “If I Were an Octopus”: “I’d grab eight pencils. / All identical. / I’d fill eight notebooks. / One per tentacle.” An amusing undersea scene dominated by a smiling, orangy octopus fills this double-page spread. Some of the poems are more focused (and less lyrical) than others, such as “Final Edit” with its ending stanzas: “I check once more to guarantee / all is flawless as can be. / Careless errors will discredit / my hard work. / That’s why I edit. / But I don’t like it. / There I said it.” At least the poet tries for a little humor in those final lines.

Here’s hoping this will inspire many children to joyfully engage in writing. (Picture book/poetry. 7-10)

Pub Date: March 17, 2020

ISBN: 978-1-68437-362-8

Page Count: 32

Publisher: Wordsong/Boyds Mills

Review Posted Online: Dec. 17, 2019

Kirkus Reviews Issue: March 1, 2020

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POEM-MOBILES

CRAZY CAR POEMS

Limitless possibilities for future car designs are imagined in a collection of free-wheeling verses.

Everything from food items to animals to bathtubs and more are the inspirations for these strange vehicles. A paper car can be shredded if it breaks down, a bathtub car keeps you clean as you go, and a hot-dog car can be eaten at the end of the ride. A few of the verses refer either explicitly or obliquely to alternative fuels. There’s a battery-powered “Eel-ectric Car” and unused fossil-fueled wrecks in “Jurassic Park(ing),” and in “23rd-Century Motors,” oil and gas are totally passé. With a few exceptions the verses flow naturally with easy rhymes. Oddly, the first four lines of the introductory poem are awkward and not indicative of the mood and swing of the following lines and the remainder of the poems. But Lewis and Florian are both masters at creating lighthearted, fun-filled, breezy poems, and they do not disappoint in this joint venture. The text is placed as if on a stained and folded slip of paper, which is surrounded by Holmes’ highly imaginative, bright and lively illustrations, rendered in pencil and watercolors with digital colors added. Endpapers are tire-tracked, and the contents page matches line drawings to the titles. Young readers will almost certainly be inspired to create their own wacky cars. (Picture book/poetry. 6-9)

 

Pub Date: Jan. 7, 2014

ISBN: 978-0-375-86690-6

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Nov. 12, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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