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DAVID BOWIE

STARMAN

Everything you always wanted to know about the Thin White Duke. Everything.

Musically speaking, David Bowie never quite reached the critical or popular heights of fellow UK rockers the Beatles, the Rolling Stones, the Who and Led Zeppelin—granted, that was due in part to poor timing, as he came onto the scene at the tail end of the British Invasion. Yet despite his inconsistent catalog, he's managed to remain in the public consciousness for more than 40 years, which explains why he's proven to be a fascinating subject for long biographies. In 2009, Marc Spitz delivered the doorstopper Bowie: A Biography, and Nicholas Pegg is set to release The Complete David Bowie in late 2011. So does Ziggy Stardust merit all this coverage? Former Mojo editor Trynka offers an emphatic yes. The author gave Bowie's contemporary Iggy Pop the same treatment with Iggy Pop: Open Up and Bleed (2008), an insanely in-depth, honest and readable biography. Here, Trynka once again covers it all—the music, the movies, the marriages, the shifting personae, the drugs, the drugs and the drugs—in a breezy, chatty style that often reads as a novel. The author remains objective about Bowie's music, most notably during his lengthy discussion about how much of a hand his sidemen played in the development and recording of his records, and the fact that Trynka isn't sycophantic about David's undeniably hit-and-miss discography helps legitimize the project. But despite its numerous positive attributes, the book is exhaustive to a fault. By the time most readers are three-quarters of the way through, they'll probably want to listen to "Space Oddity" and "Heroes," then call it a day. Bowie nerds will love it, and music nerds will admire it; regular nerds and most others will think it's about 150 pages too long.

 

Pub Date: July 18, 2011

ISBN: 978-0-316-03225-4

Page Count: 544

Publisher: Little, Brown

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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