Next book

A STOP IN THE PARK

An engaging and hope-filled novel that serves as a reminder of the difficult but joyful game that family life can be.

Dissatisfied with his crumbling marriage, hectic workload and chaotic family life, a Washington, D.C., attorney with anger management issues resolves to change his life.

Strack’s moving novel depicts a desperate modern family’s struggle to restore the sense of simple fun and romance that once united them. Since his recent promotion to attorney manager, Michael Stolis is overworked but making enough money to temporarily patch the holes of his life. When his two daughters aren’t watching television or eating junk food, it’s only because Michael is berating them and his wife, Jamie, for allowing it. Jamie, a former journalist who left her career to become a mom, is equally miserable. To distract herself from the poisonous atmosphere, she spends hours shopping online and flirting with other men on Facebook. Michael has numerous passions—chess, running, healthy eating. One day, while walking through Dupont Circle toward another disappointing family dinner, Michael slips away from the family in search of a blitz chess competitor and meets Rufus, a retired black man Michael immediately envies for his “demeanor [that] exuded serenity.” A jovial, sagelike presence, Rufus is an excellent player but doesn’t care about winning, a fact ever-competitive Michael fails to comprehend, especially after he gets creamed. But when Jamie finally boots Michael from the house, which “could be the beginning of the marriage bust” that neither person wants, Rufus may be just the man to help him restore the lighthearted nature of his early marriage. Hopping back and forth between Michael’s and Jamie’s perspectives, Strack delivers piercing dialogue and intense emotional struggle that fashions a chesslike battle for their daughters’ approval and the upper hand. Filled with moments of tenderness and insight, particularly in Michael’s attempts to make his wife and daughters laugh, Strack’s novel expertly captures the nuances of a complicated marriage, including the small tics that can become explosions of contempt. Certain metaphors feel heavy-handed (after discovering a hornets’ nest outside the kitchen window, Jamie sprays it and later notes how, like the nest, “She had a body, but it was vacant”), and the story often errs on the side of melodrama, but Strack writes with clear, thoughtful and passionate prose, making for a tense and compulsively readable story of family redemption.

An engaging and hope-filled novel that serves as a reminder of the difficult but joyful game that family life can be.

Pub Date: Sept. 20, 2012

ISBN: 9781475150995

Page Count: 366

Publisher: CreateSpace

Review Posted Online: Sept. 6, 2012

Awards & Accolades

Likes

  • Readers Vote
  • 392


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 392


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Next book

THE THINGS WE NEVER SAY

Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.

A diverting midlife story plucks at the secrets good people carry to the grave.

As a reader, Artie Dam—the protagonist of Strout’s 11th book—encounters Olive Kitteridge, “a crotchety old woman from Maine” and Strout’s most celebrated fictional character. Artie picked up the Pulitzer-anointed book centered on Olive after his wife, Evie, loved it, “oh, years ago now.” Strout is having a bit of fun—that “oh” is a trademark—even though she marbles her latest novel with marital infidelity, political anxiety, and suicide. Indeed, it is the fact that Olive’s father died by suicide that Artie, 57 and gaining a paunch, recalls now in his own dismalness. As the story begins, he is pondering the most discreet way to die, despite having been Massachusetts’ Teacher of the Year five years earlier. Artie seems the inverse of irascible Olive: beloved by his students; by his grown son, Rob; and by the English teacher, Anne, who quietly pines for him. But like Olive, Artie has distressing impulses—he steals a comb, then some expensive shirts. Much of the text bobs along on Artie’s stocktaking memories, chunked out in short, occasionally abrupt paragraphs. Strout’s storytelling is thinning a bit, like middle-aged hair. Then, midbook, she clobbers Artie with a brutal existential shock. In its wake, Strout surfs the nature of loneliness, corrosive secrets, and the convulsions of the 2024 presidential election. Hers is an unremittingly Blue State book, although Artie has one friend who, unbeknownst to him, supported Donald Trump. On the day after the election, Artie somberly concludes that his “country was committing suicide.” This is the first novel in which Strout entirely vacates Maine for another setting. But she sticks with Artie and, on the final pages, delivers him a satisfying finale.

Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.

Pub Date: May 5, 2026

ISBN: 9798217154746

Page Count: 224

Publisher: Random House

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Close Quickview