A pleasant, if uninspired, collection for the already converted.
Christian poetry that avoids blunders, but never distinguishes itself.
Kennedy’s collection avoids many of the problems marring contemporary religious poetry, including lockstep ABAB meters, brainwashed repetition of Christmas-card pieties, clichéd images of sanctimony and condescension toward non-believers. The poems are metrically varied–sometimes matching meters and rhymes in couplet form, and sometimes almost entirely free-form. Still, the collection is plain-spoken and conservative. The poems fall into several distinct subcategories. Many are purely devotional, reiterating that “everything leads to You.” More intriguing are moments when Kennedy expands her poetic persona beyond piety to real-world problems. “Crossroads” examines a marriage’s potential dissolution due to the husband’s lack of religion. The language is near-sexual, as Kennedy expounds on her need to “Find my needs that you just cannot fulfill / In others, in God’s will.” This ties in with the many poems in which Kennedy vaguely alludes to a past evidently marred by gambling and joyless promiscuity. (In one of the collection’s few and puzzling tangles with metaphor, “The Living Dead” attempts to compare all of sinning humanity to the “howling werewolf, zombie or vampire,” a link made through our need for Christ’s blood.) Though Kennedy’s devotion–adamant but not particularly exclusionary–is refreshingly undidactic, it’s also undistinguished. The plain language and plainer poetry lack the spark of inspiration that allows religious verse to reach readers besides those seeking affirmation and company in their own belief. In particular, Kennedy’s vague allusion to past depression and sin is toothless; everything is channeled back toward Jesus, giving no sense of real change or contrast.
A pleasant, if uninspired, collection for the already converted.Pub Date: Jan. 4, 2008
ISBN: 978-1-4196-7953-7
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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