Accomplished, though the mean-spirited denouement may put off some readers, and the lead’s lack of transformation gives it a...
A young rock star marinates himself in psychotropic drugs, ruminates on life on the road and pines away for his girl.
If this debut novel by former Fall Out Boy bassist and tabloid-fodder Wentz (The Boy with the Thorn in his Side, 2004), with MTV News’ James Montgomery, is as autobiographical as it’s made out to be, this young man has some issues to work out. Fortunately, the fictionalized rock star who narrates this dreamy version of horrible events has a distinctive voice, even if he’s going nowhere fast. The unnamed guitarist is the shooting star of a fast-rising rock band, surrounded by groupies, managers and guys with names like “the Disaster.” Drugged out and emotionally vacant, he spends his lonely hours in indistinguishable hotel rooms longing for the equally unnamed Her. “I owe it all to Her. Her. She made me, she put me here. We fought about that. We fought about a lot of things, but I still miss Her. She is Chicago to me, the humid summers and the Lake-Effect winters. When I’m homesick, it’s for Her.” And that’s pretty much it for the next 200-plus pages of stream-of-consciousness unraveling, punctuated by bar fights, suicide attempts, stints in rehab and uncomfortable confessions: “I’m nothing more than a frightened child, a scared little boy with tough-guy tattoos and a hollow snarl, and that no matter how much I like to think of myself as a die-hard romantic, I’d never have the guts to actually die for love.” Even though nothing really happens, the prose is quite sharp, and the despair of the main character is evocatively portrayed. It all makes for an interesting inside look at the circus, especially for those who think that knowing a little magazine gossip means you know someone.
Accomplished, though the mean-spirited denouement may put off some readers, and the lead’s lack of transformation gives it a dark undercurrent.Pub Date: Jan. 8, 2013
ISBN: 978-1-4165-6782-0
Page Count: 240
Publisher: MTV Books/Simon & Schuster
Review Posted Online: Nov. 3, 2012
Kirkus Reviews Issue: Nov. 15, 2012
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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