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GROWING UP DEAD

HALLUCINATED CONFESSIONS OF A TEENAGE DEADHEAD

Insightful and entertaining at times, but frequently, aggravatingly hipper-than-thou.

Poet Conners (Emily Ate the Wind, 2008) revisits his eight-year odyssey following the Grateful Dead around America.

The Dead’s three-decade career, which ended with Jerry Garcia's 1995 death, was partially divided into two notable periods, pre- and post-MTV. In 1987, the video of their midlife anthem “Touch of Grey” spawned a renaissance and a new generation of Deadheads. That same year, 16-year-old Conners jumped “on the bus,” making the Dead a way of life. Here he details his journey as a diehard fan, reading Beat literature while consuming LSD, smoking pot and hopping from show to show. Descriptions of concerts and the bazaar-like parking-lot scenes are interspersed with memories of the author’s small-town upbringing in Pittsford, N.Y. Conners was a witness to the end of the Dead’s golden years. By 1990, the band had moved from playing relatively intimate venues to selling out huge stadiums, attracting an undesirable element looking for kicks rather than music that soon outnumbered the tight-knit caravan of traditional Deadheads. By 1995, it was all over, forcing the author to search for alternatives. A decade later he finds himself with wife and kids, working in an office, weighing his past. Much of that weighing is self-indulgent self-glamorization. One scene shows Conners tripping on acid and getting his thrills by laughing in people's faces; the author’s ex post facto explanation that he was an all-knowing trickster teaching those unaware people something about themselves rings hollow. Paragraph-long bios of each band member, plus CliffsNotes-style treatise of the Beat Generation, the Merry Pranksters and Woodstock, may be useful for neophytes but will likely annoy his principal audience of nostalgia-seekers who have been there and done that.

Insightful and entertaining at times, but frequently, aggravatingly hipper-than-thou.

Pub Date: April 1, 2009

ISBN: 978-0-306-81733-5

Page Count: 256

Publisher: Da Capo

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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