by Peter Irons ‧ RELEASE DATE: Oct. 5, 1994
A ho-hum digest of 100 Bill of Rights cases decided by justices Brennan and Rehnquist along predictable ideological lines. ``This is not an insider's account,'' warns Irons (Political Science/Univ. of California, San Diego; The Courage of Their Convictions, 1988, etc.) in his preface. ``I did not interview either justice for this book. Neither have I talked with former clerks or looked at private papers.'' Bad move. Had Irons provided some behind-the-robes analysis, this book might have had drama. (Irons himself acknowledges Brennan's legendary ability to use his charm to win votes in controversial cases.) And had he focused on far fewer cases—say, ten—his analysis might have had some depth. Instead, this numbing case-by-case-by-case summary provides little insight into the jurisprudence of the men who, for 18 years, were the Court's leading voices on the left and right—and even less insight into their personalities. After a perfunctory stab at characterizing each justice in a chapter-long biography, Irons proceeds to march through the Bill of Rights, offering an overly dense historical context for each amendment and then quoting from Brennan's opinion, on the one hand, and Rehnquist's on the other. Most of the big constitutional issues of the post-Warren Court are here—abortion, affirmative action, the death penalty, the right to die, school prayer. But all Irons offers is the revelation that Brennan consistently votes for individual litigants against the government, and uses the word ``dignity'' in his opinions a lot, while Rehnquist sides with state legislatures and the police, and relies on the word ``deference.'' (Fans of Rehnquist will chafe at the frequent snide comments about his proclivities for ignoring precedent and distorting evidence—but it's unlikely that this tedious book will generate much heat on the subject.) Plodding he-said/he-said treatment that makes for strenuous cover-to-cover reading.
Pub Date: Oct. 5, 1994
ISBN: 0-679-42436-9
Page Count: 400
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
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by Peter Irons
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by Peter Irons
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by Peter Irons
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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