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MAY IT PLEASE THE COURT

Name: MAY IT PLEASE THE COURT
Author: Peter Irons
ISBN: 1-56584-330-4

THE FIRST AMENDMENT

edited by Peter Irons ‧ RELEASE DATE: Aug. 1, 1997

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The sequel to Irons's first look inside the Supreme Court offers edited versions of arguments addressing pivotal, controversial issues regarding the First Amendment. Like the first volume, this is based on recordings of oral arguments, often by prominent lawyers such as Lawrence Tribe and William Kunstler, before the Supreme Court. These arguments are made in an atmosphere of high solemnity and drama. Through sophisticated, penetrating questioning, often leading to energetic dialogues with the arguing attorneys, the justices probe the strengths and weaknesses of the contending parties' respective legal arguments. As spoken constitutional history providing unique glimpses into the reasoning process of our highest court, oral arguments are worthy of serious study. Along with tape recordings of 16 First Amendment arguments (four 90-minute cassettes accompany the book, but were not available for previewing), Irons (Brennan vs. Rehnquist: The Battle for the Constitution, 1994, etc.; Political Science/Univ. of Calif., San Diego) provides a text consisting of excerpts from each argument, preceded by a summary of the particular legal issue involved and followed by an edited version of the court's written decision, as well as opinions by dissenting justices. The issues are well selected, covering many fascinating and momentous matters, including burning the American flag, nude dancing, hate speech, prayer in public schools, the meaning of obscenity, and Reverend Jerry Falwell's ultimately unsuccessful suit against Hustler magazine for printing a parody suggesting that Falwell once had intercourse with his mother in an outhouse. The heavily edited arguments make lively and informative reading and should be welcome in the library of any university or law office; but the very brief prologues to each case and the book's three-page introduction provide scant background for laypersons unfamiliar with the perplexing intricacies of First Amendment jurisprudence.

Pub Date: Aug. 1, 1997

ISBN: 1-56584-330-4

Page Count: 320

Publisher: The New Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1997

Categories:

GENERAL NONFICTION

- BOOK REVIEW
WHITE MEN'S LAW
by Peter Irons

- BOOK REVIEW
WAR POWERS
by Peter Irons

- BOOK REVIEW
JIM CROW’S CHILDREN
by Peter Irons

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.