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SETTING THE HOOK

A DIVER'S RETURN TO THE ANDREA DORIA

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A deep-sea diver explores shipwrecks and his own character in this gripping scuba memoir.

Hunt (Angles of Attack: An A-6 Intruder Pilot’s War, 2002) revisits 30 years of shipwreck dives, a pastime whose lugubrious allure is only heightened by his vivid descriptions of the dangers. Chief among these are the hulks themselves, full of ensnaring electrical cables and silt, all of which becomes an impenetrable, disorienting cloud at the kick of a fin; one wrong turn in these pitch-black labyrinths, and a diver can be trapped in a watery tomb. Then there’s the sheer physiological challenge of penetrating an alien environment where breathing itself is a high-tech feat rife with fatal glitches. Carbon dioxide can build up to asphyxiating levels; nitrogen first intoxicates and then bubbles out of the blood to cause the bends; even oxygen becomes toxic and induces convulsions. Hunt’s well-paced narrative is full of underwater panics, nerve-wracking escapes and rescues that sometimes end in failure and death. He structures it around his dives to the wreck of the Italian cruise ship Andrea Doria, which sank in 240 feet of water off Nantucket in 1956—he includes a riveting account of the disaster and the blunders that caused it—and remains a magnet to divers because of its difficulty and wealth of fine china and other loot. Along the way he presents a lucid, engrossing study of the art of diving, introducing readers to the arcane gear, the constant attention to breathing, buoyancy and “situational awareness” the sport demands and the complex decompression routines that make surfacing take twice as long as the dive. Hunt’s three decades of Andrea Doria excursions also frame an affecting story of maturation and limits, as he ages from a strapping, reckless youth to a more cautious man in physical decline—a transformation that prepares him for the onset of Parkinson’s disease with the knowledge that “dying slowly is hard work.” Hunt’s taut scenes and meticulous prose will have readers holding their breath, but his saga probes hidden depths as well.

 

Pub Date: Dec. 14, 2011

ISBN: 978-1453734209

Page Count: 276

Publisher: CreateSpace

Review Posted Online: Jan. 12, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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