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DEAR ZOE

Earnest and sensitive—to a fault.

In an epistolary first novel about the process of grieving, a 15-year-old girl writes letters to the younger sister whose death she feels responsible for.

First-timer Beard hangs his story on the coincidence that Tess’s three-year-old half-sister Zoe was killed in a car accident in the Pittsburgh area just as thousands were dying on September 11, 2001. Tess, who describes herself as a mediocre student who wears lots of makeup, had been watching Zoe but left her alone in the front yard for a few minutes to watch the news on television. Now she is racked with guilt. Although readers may consider Tess’s relationship with her parents more loving and healthy than most, she feels increasingly disconnected from her beautiful, grief-stricken mother and educated, hard-working stepfather, David. She resents being excluded from their anguish and is particularly uncomfortable around David despite his obvious caring sensitivity. She claims she feels a stronger connection to her birth father, with whom she has never lived and whom she knows is a loser drifting from job to job. She draws closer to her other half-sister, Emily, a precocious first-grader who depends on her support; but after Tess discovers that her mother has been flirting with another man to relieve her own sorrow, Tess leaves her middle-class home to stay with her birth father in his run-down neighborhood. There, she becomes involved with Jimmy, the pot-smoking “bad boy” next door, and realizes her father is a small-time dealer. Though undisciplined and shady, Jimmy and her father are nothing if not protective and sensitive where she’s concerned. Smoking dope and carrying on with Jimmy, she begins to enjoy herself, until a series of events on the eve of her 16th birthday causes her repressed grief to bubble over.

Earnest and sensitive—to a fault.

Pub Date: April 1, 2005

ISBN: 0-670-03401-0

Page Count: 240

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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