A full-scale life of the towering English songwriter and playwright. Writing about Coward in 1977, Kenneth Tynan wrote, ``The successful homosexual is answerable to nobody,'' and this could serve as the epigraph for this biography. Sprung from a suburban British background of lapsed wealth (his family tree includes ambassadors, professors, and composers), Coward invented his own self-contained reality from an early age. He knew he was gay at the age of 12—although, as Hoare delicately but definitively points out, he shied away from penetrative sex all his life. A perpetual outsider, Coward wouldn't be a member of any club but his own: He shunned his Catholic upbringing (he belonged to a circle of gay aesthetes who wrestled with their Catholicism, including Proust translator C.K. Scott Moncrieff), highbrow culture, and Hollywood alike. But money started talking, and by 1930, when he was declared the world's highest paid writer, his absolutist stance softened. He knew that his marketable strength was a cool xenophobia, and he laced it through such successful stage plays and films as Present Laughter, Blithe Spirit, and Fallen Angels. But Hoare (whose 1990 book, Serious Pleasures, was a life of the superdandy Stephen Tennant) paints Coward not so much as a crowd-pleaser as a gay subversive, insinuating homosexual notions into the mainstream. Because Hoare talked to Coward's friends and lovers, and shores up speculation with detailed sources, this is a believable position. The final stages of Coward's life seem especially sad: The '60s had no use for his mannered vitriol, reducing him to his most hateful tendencies (``Why should we keep inferior beings in the world?'' he told a reporter, asked for his views on the death penalty). Seems too often to scavenge for any stories remotely scandalous or naughty—but for all that, sharp and credible. Serious scholarship also serves here as an act of cultural restitution for a gay hero. (32 pages b&w photos, not seen)
Pub Date: Aug. 1, 1996
ISBN: 0-684-80937-0
Page Count: 544
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 1, 1996
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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