Cover art for THE EXEGESIS OF PHILIP K. DICK

THE EXEGESIS OF PHILIP K. DICK

Buy now from
AMAZON.COM
BARNES & NOBLE
LOCAL BOOKSELLER
Add to my list

KIRKUS REVIEW

A dyspeptic dystopian’s mad secret notebooks, imposing order—at least of a kind—on a chaotic world.

“The majority of these writings…are neither familiar nor wholly lucid nor, largely, elegant,” write editors Lethem and Jackson. That’s exactly right. But it is a measure of the esteem in which the late science-fiction novelist Philip K. Dick is held in the literary world that Lethem and Jackson could be brought into this vast disorder—a project, in its own way, rather like the frankensteining of David Foster Wallace’s Pale King, and with many of the same conditions present: a vastness of notes, a hint of a complete system (in this case, partially imposed by a previous editor) and the impossibility of that completeness without much posthumous help. And that complete system is surpassing strange. Dick writes of a critical moment in 1974, “at the initial height of the ‘Holy Other’ pouring into me, when I saw the universe as it is, I saw as the active agent, a gold and red illuminated-letter like plasmatic entity from the future, arranging bits and pieces here: arranging what time drove forward.” Very well, then. That entity—perhaps, the editors whisper, a manifestation of epilepsy, though perhaps not—seems to have confirmed Dick’s suspicion, which lies at the heart of so much of his work, that the world we inhabit is an elaborate ruse and that any freedom we have is illusory: “We are being fed a spurious reality”; “one cannot sense that reality is somehow insubstantial unless somehow, unconsciously, one is comparing or contrasting that reality with a kind of hyper-reality; otherwise the intuition makes no sense.” A blend of diary, notebook, ledger, blotter and back-of-envelope scribbles, Dick’s “exegesis” of that reality ranges from sublime philosophizing (“Our sin is self-centered monocamerality”) to chronicling (among other things, Richard Nixon’s last days in office) to strange ranting. In short, it’s in perfect keeping with his body of work at large.

Fascinating and unsettling. Still, at more than 900 pages, this will test the mettle—and the stamina—of even the most devoted of Dick fans.

Pub Date: Nov. 8th, 2011
ISBN: 978-0-547-54925-5
Page count: 976pp
Publisher: Houghton Mifflin Harcourt
Review Posted Online:
Kirkus Reviews Issue: Nov. 15th, 2011



MORE BY PHILIP K. DICK

Fiction Cover art for VOICES FROM THE STREET
by Philip K. Dick
Science Fiction Cover art for SELECTED STORIES OF PHILIP K. DICK
by Philip K. Dick
Nonfiction Cover art for THE SHIFTING REALITIES OF PHILIP K. DICK
by Philip K. Dick
Nonfiction Cover art for THE BROKEN BUBBLE
by Philip K. Dick
Nonfiction Cover art for MARY AND THE GIANT
by Philip K. Dick

MORE BY JONATHAN LETHEM

Fiction Cover art for DISSIDENT GARDENS
by Jonathan Lethem
Nonfiction Cover art for THE ECSTASY OF INFLUENCE
by Jonathan Lethem
Fiction Cover art for CHRONIC CITY
by Jonathan Lethem
Fiction Cover art for YOU DON’T LOVE ME YET
by Jonathan Lethem
Nonfiction Cover art for THE DISAPPOINTMENT ARTIST
by Jonathan Lethem
Fiction Cover art for MEN AND CARTOONS
by Jonathan Lethem


SIMILAR BOOKS SUGGESTED BY OUR CRITICS:

Science Fiction Cover art for FOR US, THE LIVING
by Robert A. Heinlein
Nonfiction Cover art for THE DISAPPOINTMENT ARTIST
by Jonathan Lethem
Fiction Cover art for THE BROOM OF THE SYSTEM
by David Foster Wallace


PHILIP K. DICK:

Nonfiction Cover art for HOW TO BUILD AN ANDROID
by David F. Dufty
Science Fiction Cover art for SELECTED STORIES OF PHILIP K. DICK
by Philip K. Dick
Nonfiction Cover art for A SCANNER DARKLY
by Philip K. Dick
Nonfiction Cover art for THE EXEGESIS OF PHILIP K. DICK
by Philip K. Dick
View full list >