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WHERE THE ROCK SPLITS THE SKY

For Western aficionados who don’t mind alien outlaws in their shoot’em-ups.

In a bizarre post-apocalyptic future, Megan Bridgwater’s world is defined by Western garb, gab and clichés.

There are horses, saloons, outlaws, a stagecoach robbery, poker games—everything but cattle and rustlers. Alien Visitors who arrived 20 years ago have created a land of perpetual daytime: They’ve stopped the Earth’s rotation, leaving the sun always in the sky and otherwise wreaking havoc. The Zone, a place of “[w]eird space-time wrinkles,” stretches from the Midwest to the Pacific. Despite that, Megan, an expert tracker, heads out into no man’s land to find her father. She’s accompanied first by Luis, a Mexican blacksmith who eventually becomes a love interest, and joined by Kelly, an alien abductee who has missed the past 20 years. This threesome is determined to get from Marfa, Texas, to Spider Rock in Canyon de Chelly, Ariz., where they hope all answers can be found. Megan’s formal, present-tense narration is reminiscent of Charles Portis. A weird concoction of familiar and strange elements, the plot challenges the characters in ways that cause them to draw on both magical and old-fashioned ingenuity. So much happens that the characters remain fairly flat, the violence has a cartoonish quality, and the climactic moment goes over the top. That doesn’t stop the premise, unlikely as it is, from being cool as hell.

For Western aficionados who don’t mind alien outlaws in their shoot’em-ups. (Science fiction. 12-16)

Pub Date: March 25, 2014

ISBN: 978-0-545-55701-6

Page Count: 272

Publisher: Chicken House/Scholastic

Review Posted Online: Jan. 28, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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NYXIA

From the Nyxia Triad series , Vol. 1

Fast-moving and intriguing though inconsistent on multiple fronts.

Kids endure rigorous competition aboard a spaceship.

When Babel Communications invites 10 teens to participate in “the most serious space exploration known to mankind,” Emmett signs on. Surely it’s the jackpot: they’ll each receive $50,000 every month for life, and Emmett’s mother will get a kidney transplant, otherwise impossible for poor people. They head through space toward the planet Eden, where they’ll mine a substance called nyxia, “the new black gold.” En route, the corporation forces them into brutal competition with one another—fighting, running through violent virtual reality racecourses, and manipulating nyxia, which can become almost anything. It even forms language-translating facemasks, allowing Emmett, a black boy from Detroit, to communicate with competitors from other countries. Emmett's initial understanding of his own blackness may throw readers off, but a black protagonist in outer space is welcome. Awkward moments in the smattering of black vernacular are rare. Textual descriptions can be scanty; however, copious action and a reality TV atmosphere (the scoreboard shows regularly) make the pace flow. Emmett’s first-person voice is immediate and innocent: he realizes that Babel’s ruthless and coldblooded but doesn’t apply that to his understanding of what’s really going on. Readers will guess more than he does, though most confirmation waits for the next installment—this ends on a cliffhanger.

Fast-moving and intriguing though inconsistent on multiple fronts. (Science fiction. 12-16)

Pub Date: Sept. 12, 2017

ISBN: 978-0-399-55679-1

Page Count: 384

Publisher: Crown

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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