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STARTING WITH ALICE

From the Alice McKinley series , Vol. 1

Alice is back again, but this time she’s younger. In the first of three planned prequels to the extensive series about Alice McKinley, eight-year-old Alice moves to Tacoma Park, Maryland, from Chicago. Although written for a younger audience, this first-person narrative offers the same elements as those for older readers, dealing with friendship, family, and the embarrassments of childhood, all with good humor. Also as usual, Naylor (Simply Alice, p. 496, etc.) adds a tragedy—in this case, a relative’s death—but deals with its emotional impact only superficially, striking a false note in her otherwise perceptive portrayal of well-loved child. While this is an enjoyable story, and Alice and her family are as likable as ever, readers who love the series will miss the presence of Alice’s friends, Elizabeth, Pamela, and Patrick, who figure heavily in the other plots. Similarly, those who start with this prequel will encounter a major change in the cast of characters when Alice moves again in The Agony of Alice, originally the first book. Starting with Alice doesn’t fill in any important gaps in the backstory and, in fact, creates a few discrepancies—Alice has a good time with her cousin Carol in this prequel, but in The Agony of Alice, she doesn’t remember who Carol is. Nevertheless, this cheerful addition will find a ready audience among the younger siblings of Alice fans as well as the devoted older fans themselves, to whom Alice feels like a friend. (Fiction. 8-11)

Pub Date: Sept. 1, 2002

ISBN: 0-689-84395-X

Page Count: 192

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2002

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THE LEMONADE WAR

From the Lemonade War series , Vol. 1

Told from the point of view of two warring siblings, this could have been an engaging first chapter book. Unfortunately, the length makes it less likely to appeal to the intended audience. Jessie and Evan are usually good friends as well as sister and brother. But the news that bright Jessie will be skipping a grade to join Evan’s fourth-grade class creates tension. Evan believes himself to be less than clever; Jessie’s emotional maturity doesn’t quite measure up to her intelligence. Rivalry and misunderstandings grow as the two compete to earn the most money in the waning days of summer. The plot rolls along smoothly and readers will be able to both follow the action and feel superior to both main characters as their motivations and misconceptions are clearly displayed. Indeed, a bit more subtlety in characterization might have strengthened the book’s appeal. The final resolution is not entirely believable, but the emphasis on cooperation and understanding is clear. Earnest and potentially successful, but just misses the mark. (Fiction. 8-10)

Pub Date: April 23, 2007

ISBN: 0-618-75043-6

Page Count: 192

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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