A tender, thought-provoking journey that teaches that “life is not the origin of love”; it’s the other way around.
In Marchitelli’s chapter book, a pair of young birds learns that the secret to life rests in finding a partner with whom to ride out the joyful tail winds and difficult head winds of life.
The “Valley of the Birds” is safeguarded by mountains and a coterie of gentle birds who command the sky, “peacefully sharing the joy of life.” When the day comes for young Hebril to jump from the rocky cliff and attempt his first flight, his parents encourage him, fully aware that their purpose in life is to help him become an adult bird. But Hebril backs away, not yet prepared to fail. His parents respect his fear and later debate whether or not to share a family secret with him. “Not at this time,” says the father; Hebril must first “go through the path of becoming a great bird.” The young bird eventually takes flight, which leads him to meet the mysterious Wise Bird, who holds not just the key to the family secret, but to a much larger spiritual enigma—which Hebril encounters when he catches the eye of the beautiful Kerah. As the two fly high and strengthen their wings together, they prove their worthiness. At the urging of their fellow Valley inhabitants, the couple flies off beyond the mountains, where no bird has ever gone. In six easy-to-read chapters, Marchitelli’s birds provide lessons in courage, self-belief, trust, purpose and love. Deep ideas contained in simple language not only enrich the adventure, they make the book accessible to spiritually inclined families looking for a positive, wholesome way to discuss the somewhat muddy waters of adolescent love with younger readers, who in turn, may feel freer to ask honest questions about sexuality and what life has in store for them. Ellanson’s lovely illustrations add charm and a much-needed dimension to the book. Without them, readers may have trouble forming a mental picture from the narrator’s vague, generic descriptions of his feathered cast.
A tender, thought-provoking journey that teaches that “life is not the origin of love”; it’s the other way around.Pub Date: May 10, 2012
ISBN: 978-1470124397
Page Count: 72
Publisher: CreateSpace
Review Posted Online: Jan. 24, 2013
Kirkus Reviews Issue: March 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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