The aggressively disturbing conclusion places this one far beyond the pale of standard procedurals.
An investigation into two dead babies leads the ex-wife of a serial killer and her police officer best friend into serious danger.
As much as Gwen Proctor wishes she could sleep through the night, she’s already awake when she gets an early morning call from her best friend, Kezia Claremont. Gwen’s history of having killed her husband, serial murderer Melvin Royal, means that her senses are always a hairbreadth from panic. Like Gwen’s romantic partner, Sam Cade, and her kids, Lanny and Connor, Kez is used to Gwen’s constant vigilance. She and Gwen have put their shared eyes for trouble into their work, Gwen as an investigator and Kez as a police officer. This time Kez needs Gwen’s emotional support more than her professional expertise. The two meet at a small pond where a car is submerged with twin baby girls still strapped into their car seats. It’s a rough scene made even more difficult for Kez, who’s just learned that she’s pregnant and is processing the good news alone because her partner, Javier, is away on duty with the Marines. Kez and Gwen’s investigations lead them to the girls’ likely mother, Sheryl Lansdowne, who might well have drowned her babies and run off if she was onto a quick buck. But Gwen’s certain there’s something bigger at play, particularly when her family is targeted for harassment by someone convinced that Gwen’s history as Gina Royal makes her just as culpable as Melvin. The slow-burning investigation goes to some dark places. Fans of Caine's Stillhouse Lake series may be prepared for the grim climax; the uninitiated should brace themselves for a quick turn into some deeply troubling stuff.
The aggressively disturbing conclusion places this one far beyond the pale of standard procedurals.Pub Date: March 9, 2021
ISBN: 978-1-5420-9367-5
Page Count: 336
Publisher: Thomas & Mercer
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.
What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.
Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.Pub Date: April 16, 2024
ISBN: 9780063305649
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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