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THE MAGIC TOUCH

A sprawling, freewheeling tale of a young woman's uncanny sexual powers, the virtues of altruism, the Devil, Dan Quayle (herein known as Jefferson Stinkweed), and the bad stuff that happens if you watch TV, among other things. The young woman is Celeste Kipplebaum Runetoon Kelly, born to a mother two days dead, which gives you a good idea of what you're in for—a whimsical but freighted journey down roads already well traveled by Tom Robbins's sexually free, gloriously misfit hitchhiker Sissy Hankshaw in Even Cowgirls Get the Blues (1976). Celeste's bliss, however, comes not from the pursuit of pure freedom but from the orgasmic thrill of healing others though sexual connection. Not content with mere physical healing, mind you (though she can cure AIDS, no problem), she gets deep into the very soul of each sufferer she fondles, from a browbeaten and balding neighbor to a tap-dancing serial killer, and melts away the hurt, restoring each to his (or her) youthful, unsaddened, unsullied self. Despite the perks that come with her work, Celeste (aka ``Queen of the Unseen, the Princess of Caress, the Dame of the Lame, the Countess of Regress, Her Majesty of Nudity,'' as the little voices between her legs chant) sometimes tires of her relentless sexual battle against the forces of evil, longing to be ordinary. ``Did King Arthur wish he were normal? Don Quixote?'' sputters her grandmother with righteous indignation. ``Whoever said being a knight would be easy? You can perform unprecedented miracles! Consider yourself lucky.'' So Celeste presses on, and on, to a climactic meeting with the Prince of Darkness himself. Perhaps no one can surpass Robbins's sublime stew of nonsense and wisdom, though this, Simon's first novel (her short-story collection, Little Nightmares, Little Dreams, 1990, mined much of the same territory), has plenty of the former and is abubble with wildly imaginative, sometimes gratingly cute language: ``She shoved the window open. The lake sibilated, geese ronked, leaves oodly-oodly-ooed.'' But despite its heavy themes—the spiritual sickness rampant in modern society, the redemptive powers of love- -and core of seriousness, the novel never gets any more than ankle-deep; and Celeste's powers, so seductive to others, never convince or move us. Simon's story is fun to spend the night with, but there's no afterglow.

Pub Date: May 1, 1994

ISBN: 0-670-85262-7

Page Count: 304

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1994

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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