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TREATMENT

In need of fine tuning, but a quick, uncomplicated story that guarantees some pulpy escapism.

In Perkins’ pulp-novel debut, an ad exec goes looking for some payback after he’s unjustifiably arrested for a DUI.

Richard Park’s business trip to California is going fabulously, especially when he dominates a sales pitch. But after a few celebratory drinks, he gets pulled over, somehow fails the Breathalyzer and is unceremoniously tossed in jail. His arrest has disastrous consequences, both at home and at work, so he arms himself and finds the man responsible for his predicament: the officer who cuffed him. Perkins opens his novel in the style of a film noir—a stormy night, a gun and the prerequisite flashback. From there, it’s a lead-up to Richard’s arrest and its aftermath. The story alternates from Richard holding the officer and his family at gunpoint to the story he tells a little too often, since nearly every chapter opens with a reminder of the ad exec’s current dilemma. But Perkins adds some bravura with the flashbacks, as the storm’s lightning typically works as a transition between the past and the present. The story has convincing moments, including Richard, after spotting the police lights and later in his cell, coping with his fear by running various scenarios through his head, debating whether doing a single thing differently would have led to a different outcome. What holds the most weight, however, is the scene in which Richard returns to work, down a “never-ending” hallway and past a chorus of whispers from his co-workers. But the book, which clocks in at around 100 pages, would have benefitted from fleshing out the story, particularly Richard’s home life. Showing more of the doting father with his children and not introducing Richard’s wife through his complaints about her spending would have made him much more sympathetic. As is, Richard seems cold and dispassionate, even with readers’ knowledge of his wife’s affair. On the other hand, an empathetic booking officer provides some balance by offsetting the police department’s villainy.

In need of fine tuning, but a quick, uncomplicated story that guarantees some pulpy escapism.

Pub Date: Dec. 14, 2012

ISBN: 978-0615686608

Page Count: 108

Publisher: Ralph Perkins Publishing

Review Posted Online: Feb. 26, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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