by Reiner Stach translated by Shelley Frisch ‧ RELEASE DATE: July 1, 2013
An illuminating book built, like its subject’s life, on small episodes rather than great, dramatic turning points. Essential...
Conclusion of a massive, comprehensive life of the famed Czech/German/Jewish writer, chockablock with neuroses, failures and moments of brilliance.
The editor of Kafka’s collected works in German, Stach (Kafka: The Decisive Years, 2005, etc.) delivers much that is known about the writer: his sexual insecurities; his fraught, near-paralyzing relationship with his father; the terrible fate of his beloved sisters in the Holocaust. We knew from Max Brod, to say nothing of Kafka’s own correspondence, that he could be clinically cold, and clinically odd, as when he wrote to his one-time intended Felice Bauer, “Your last letter said that a picture was enclosed. It was not enclosed. This represents a hardship for me.” Yet there are surprises as well: Who knew, for instance, that Kafka, though gravely ill, was still athletic enough to row a passenger across a swiftly flowing river? Kafka was, of course, ever anonymous in doing so: “It would never have occurred to the man that he might have been rowed by a thirty-seven-year-old with a doctorate in law, who served as head of his department and suffered from tuberculosis.” Stach also reveals Kafka’s efforts to join the Austro-Hungarian army during World War I, thwarted by his employer, and offers a trove of observations on Kafka and the business of writing and publishing, with all the usual complaints about late and underpaid royalties and skewed contracts. Throughout, Stach considers Kafka’s flourishing as a writer, precise but deeply emotional, in a time of works such as The Castle and “The Metamorphosis.” He also sheds light on Kafka’s sometimes-tenuous Zionism, including his concentrated studies of Hebrew and on-and-off plans to relocate to Palestine.
An illuminating book built, like its subject’s life, on small episodes rather than great, dramatic turning points. Essential for students and serious readers of Kafka.Pub Date: July 1, 2013
ISBN: 978-0-691-14751-2
Page Count: 736
Publisher: Princeton Univ.
Review Posted Online: May 21, 2013
Kirkus Reviews Issue: June 15, 2013
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by Reiner Stach translated by Shelley Frisch
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by Reiner Stach & translated by Shelley Frisch
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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