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SIDEWAYS

Skillful work about a friendship between two ultimately likable guys. But the movie will need zingers—the dialogue here is...

A fresh take on an evergreen: two men—one just divorced, one about to marry—spend a week together testing, then tying up, the bonds of their friendship.

Credit screenwriter Pickett for coming up with a debut that goes some distance before readers realize they’re on the road again in another buddy story (this one bought prepublication by Fox Searchlight Pictures). Pickett’s narrator, Miles Raymond, enlists sympathy and interest as a man riven by divorce, a writer shaken by rejections, and a wine expert sodden from too much hands-on research. Raymond’s bemused, literate observations make his account of a week spent with his friend Jack funny and perceptive. Miles and Jack, who’s about to marry, head out to celebrate Jack’s final week of bachelorhood in California’s Santa Ynez wine country. A handsome, seductive actor, Jack wants—surprise!—to spend this last week of freedom in sexual debauchery. Sensitive Miles tries to restrain him, but it’s useless—Jack and a comely blond go off and make bedroom noise. Miles isn’t alone: he’s met a woman who’s attracted to him, but he holds back, pondering the eternals: Would marriages survive if wives let their overcharged husbands fool around? Can friendships, marriages, and, yes, love itself, endure? Before matters turn ponderous, Miles and Jack decide to go hunting for wild boar with a kid they meet in a bar. The hunting scene and then another tryst between Jack and a zaftig waitress edge matters into the realm of slapstick and bedroom farce (movies are about action, after all). The week over, Jack heads to the altar with a broken nose and rib, while Miles decides to take Jack’s advice and make a date with the woman he met in wine country.

Skillful work about a friendship between two ultimately likable guys. But the movie will need zingers—the dialogue here is only adequate.

Pub Date: June 16, 2004

ISBN: 0-312-32466-9

Page Count: 368

Publisher: St. Martin's Griffin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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