Politics and cocaine spinalize Condon's latest black comedy, a strong improvement over his Emperor of America (1989). Many old friends from Condon's earlier works return here, including the Prizzis of Brooklyn and Wambly Keifetz, the head of Bahama Beaver Bonnet Co., who keeps all the Prizzi zillions in a vault in his cellar. But the hero is handsome, vacuous Owney Hazman, a former vendor of novelty cigarette lighters who has struck it nice by marrying into the frankfurter business and becoming top salesman for his wife Dolly's father. Owney, though, is haunted by his mother's having deserted him at age nine and leaving him with his sick father. Twenty years later his mother (``Her eyes were like Delft dinner plates on a snowfield'') discovers him at a racetrack and recognizes him instantly as her son. She's now Oona Noon, who's inherited her late husband's 72 oil tankers that were used to haul cocaine for the Medell°n/Prizzi combo, has billions (tax-free) laundered away in Prizzi's banks, and now wants to sell her supertankers to the Chinese to finance her new idiot husband's run for the presidency. She hires Owney, who still doesn't know she's the mother he's been seeking, to be her well-paid messenger boy. But Owney's singing wife Dolly suddenly has a hit record, is making $43 million a year, and he's vastly embarrassed to be making less. When Oona sells her tankers to the Prizzis, not to the Chinese, her world momentarily collapses and Owney winds up with $4.3 billion in tax-free bearer bonds. Then Oona wants Owney to be her husband's vice-president, and Condon has a joyride with the candidates' duplicities with a stupefied public. A richly memorable high point is Dolly's climactic meeting with Oona (who is wearing a demure chinchilla body stocking), and the two women's comparisons of the world's wealthiest ladies' restrooms. Mind-boggling detail for skulduggery, and great fun. The ``final addiction'' is to the public's stupidity.
Pub Date: Sept. 1, 1991
ISBN: 0-312-06353-9
Page Count: 304
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1991
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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