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CRAZY RIVER

EXPLORATION AND FOLLY IN EAST AFRICA

Fear and loathing in East Africa as travel writer Grant (God's Middle Finger: Into the Lawless Heart of the Sierra Madre, 2008, etc.) traverses the ravaged continent in search of a mysterious river and the source of the Nile.

The Malagarasi River in Tanzania had not been fully traveled by either Westerners or Africans. So, in the tradition of 19th-century British explorers, first and foremost Richard Burton, who became his spectral travel companion, Grant set out to do so. But his adventures on the river—disease and disappointment, danger from crocs, hippos and bandits—became but part of his larger story about what Africa is and how to make sense of it. The author narrates his stops in Zanzibar, where he befriended a golf pro (on an island where there is no golf course), across Tanzania to Lake Tanganyika and on to Burundi and Rwanda, both ravaged by genocide and ethnic civil war. The journey nearly destroyed him: “Africa had ground away at my sanity and well-being.” In Grant’s Africa, verdant plains had become a “devastated moonscape” due to cattle overgrazing, mammoth slums overwhelmed cities overseen by corrupt leaders who got fat on the spoils of the Western “aid industry.” He concludes that Africa “was a shambles and a disgrace.” This may be a selective and overly harsh conclusion, but he tempers his indictment with an unerring eye for detail that imbues those he meets with dignity and humanity. The hustlers and whores of the dive bars he often frequented are seen, if blurrily, with compassion, and Grant marvels at the hope and enthusiasm of so many in the poorest nation in the world, Burundi. The joy of Congolese pop music and the craze for the country music of Kenny Rogers reassure him that resilience and resurgence may also be part of Africa. The source of the Nile, it turned out, was merely a “moss-fringed rabbit hole with a thin dribble of water leaking out of it.” Dyspeptic, disturbing and brilliantly realized, Grant’s account of Africa is literally unforgettable.

 

Pub Date: Oct. 25, 2011

ISBN: 978-1-4391-5414-4

Page Count: 304

Publisher: Free Press

Review Posted Online: Aug. 20, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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