Sharp characterizations set the groundwork for future books in this series.
In Roberts’ debut thriller, the first of a planned trilogy, an empath, who’s helping to develop a telepathy app, realizes that the person funding the project may have a sinister agenda.
Jon Gunnarson is at his aikido dojo when he hears a strange, distracting voice in his head that causes him to lose an important fight. He once had a telepathic connection to his late mother; after she died, he started forming telepathic links with others. Now, he only wants to disconnect from other people’s feelings, which incessantly cloud his head. He tells his aikido sparring partner, a Buddhist nun named Chodak Neema, about the voice; she thinks that she can help him, but she’s leaving that night to go to Bhutan. He can’t afford the trip, so he responds to an ad from a company that’s supposedly developing a meditation app in the South Asian country. Financing the development is Jeffrey Venn, who actually plans on peddling a telepathy app; he’s also currently under FBI investigation for internet fraud. British neuroscientist Ella Sandström is part of Venn’s team; she soon recognizes the harm that a functional telepathy app could cause if released to the general public. Venn, however, is already pushing to release his product on the market, disregarding the risks. His ultimate goal involves a nefarious act—and an app could conceivably hurt, or even kill, millions of people. Roberts delivers a commendable series launch that slowly establishes how its version of telepathy works (and gives it the fresh, chic moniker “tuning in”). There’s minimal action, but this short novel still moves briskly as it carefully molds its characters; Ella, for instance, is shown to be estranged from her teenage daughter, Jady, who blames her mom for her parents’ divorce. The story boasts some espionage as well, and Venn gets more menacing as the narrative progresses. But the book’s most impressive trait is its surprising moments of profundity: While trying to dip into happy people’s positive feelings, Jon sadly learns that most happiness is faked.
Sharp characterizations set the groundwork for future books in this series.Pub Date: N/A
ISBN: N/A
Page Count: 132
Publisher: HighCrest Books
Review Posted Online: March 19, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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