A slam dunk choice for role modeling.
A pep talk featuring Jeremy Lin, the first athlete of Chinese or Taiwanese descent to play in the NBA.
“Have you ever been told that you can’t?” With growing rhetorical force, Ho asks readers if they’ve ever felt misunderstood or disheartened. “You’re not alone,” he reassures them. “Have you ever turned on a television or opened a newspaper and discovered someone who looked like you?” The author goes on to show how Lin shrugged off naysayers and those who “made fun of his size, his race, and his game.” As a professional player, he was cut from his first team and continued to warm benches. He persevered, however, until, one February night in 2012, he was at last given the opportunity to show his dazzling stuff and ignited a season of “Linsanity” with the New York Knicks. Illustrations of three solitary, Asian-presenting children alternately ignored or surrounded by scoffing peers give way to scenes of the young Lin enduring similar treatment, including, in one scene, hearing catcalls from a dark-skinned young skeptic standing next to a light-skinned one mocking Lin’s eyes. But he works through it all and is ready when his chance comes to shine. “Now ask yourself,” the author concludes, “if Lin can, why can’t I?” Good question.
A slam dunk choice for role modeling. (more information on Lin, afterword, author’s note, bibliography) (Informational picture book. 6-8)Pub Date: April 16, 2024
ISBN: 9781623543723
Page Count: 40
Publisher: Charlesbridge
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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