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LEOPARD

An intelligent and suspenseful follow-up to Mantis (1993). The extreme violence, however, may not be to everyone's liking. Joey Tanaka, the half-Japanese, half-American forensic pathologist, is summoned to his native Japan after the sudden death of his half-brother, whom he had crippled in a karate match when they were youths. Joey has never grappled with his guilt over the incident, and the death, which is certified as the kind of congestive failure quadriplegics often suffer, only serves to reinforce his emotions. Complicating matters is the fact that his girlfriend, Rachel (who still bears the psychological scars of being abducted in the first novel), has accompanied him and that he must deal with his cousin Ken Sato's racist hatred of all things (and people) Western. When he sees the body at the funeral, however, one look tells Joey that the death was anything but natural. The deceased has, in fact, been brutally murdered. This puts Joey and his partner, detective Bill Fogarty, who has arrived from Philadelphia to help, on the trail of a most unusual gang of serial killers led by a mysterious man known as the Leopard because of his unusual full-body tattoo, which is visible only when he is sexually aroused. The search also dredges up memories of Mishima's failed coup attempt, the Red Brigade, and discloses a new xenophobic warrior society known as the Red Mist that arose from their ashes. In the end, all the main characters' demons are purged, and the Leopard, whose identity turns out to be a surprise, is destroyed. Officially, none of it ever happened. Taut and well-presented, though the linking of sex and death is a bit clichÇd. And Japan-bashing of the sort engaged in Crichton's Rising Sun (to which this has more than a passing affinity) comes off as racist on occasion.

Pub Date: Aug. 1, 1994

ISBN: 0-312-85532-X

Page Count: 320

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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