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TEXAS MUSIC

Veteran music journalist Koster surveys music from the state with the most to offer. In addition to well-researched and historically savvy sections on country, rock 'n' roll, and blues, Koster tackles folk, ethnic music, a variety of black musical styles, easy listening, classical, and jazz. While some formats are inevitably relegated to, at best, a passing treatment, Koster is able to apply his amazing expertise about these forms and combine this knowledge with a smart and funny writing style. His special genius is his ability to link famous names with well-known songs where the relationship has previously been unknown. For instance, how many readers will already know that the Champs, who recorded ``Tequila'' in 1958, had Texans Jim Seals and Dash Crofts as guitarists—the same Seals and Crofts who went on become easy- listening stars in the '70s? His principal weakness is his seeming desire to cast everyone as a Texan. Jimi Hendrix, he points out, was not born, never lived, and did not die in Texas, but he did, Koster notes, once buy a guitar from bluesman Jimmy Vaughan. Robert Johnson is included because he made all his extant recordings in Texas, although he is most often associated with the Mississippi Delta players he inspired. On the other hand, Koster gives proper attention to ground-breaking Texas acts like the indescribable Butthole Surfers and Austin folkster Meredith Louise Miller. Koster also intersperses his text with boxed profiles of ``Criminally Overlooked Musicians,'' to bring attention to some truly influential artists who have gone unnoticed. A lively and affectionate study for music lovers of all stripes. (100 b&w photos, 7 maps, not seen)

Pub Date: March 1, 1998

ISBN: 0-312-18193-0

Page Count: 352

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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