An infuriatingly uneven second collection (after The Ring of Brightest Angels Around Heaven, 1995) whose chaotic feel and...
Bizarre content and rhetorical overkill are the salient features of this oddball gathering of 13 short fictions (some aren’t precisely stories), by the young author of Purple America (1997) and The Ice Storm (1994), among others.
Moody’s characters are casualties of various culture and gender wars, whose private battles are recounted in bursts of staccato sentence fragments ripe with the effluvia of psychic dislocation and sexual dysfunction, danced to a heavy thrum of rock music–backed antic despair. Scarcely developed premises mar several stories (“Hawaiian Night,” “Drawer,” “Boys”) that aren’t much more than, well, moody prose poems. Vagrant forms are employed by “Pan’s Fair Throng,” a faux (and rather arch) fantasy written to accompany a painter-friend’s exhibit; “Wilkie Ridgeway Fahnstock, The Boxed Set,” in which liner notes for an audiocassette package reveal the farcically wasted life of a poor little rich boy undone by “his countercultural personal habits”; and “Surplus Value Books: Catalogue Number 13,” an annotated listing whose contents amusingly express the truculent daydreams and hang-ups of a sardonic woman book dealer (one longs for a glimpse at that cookbook reputedly authored by J.D. Salinger). “The Double Zero” reimagines Sherwood Anderson’s classic tale of failed midwestern enterprise (“The Egg”); and the kindred spirits, if not influences of, T. Coraghessan Boyle and Rick De Marinis are observable in distaff portrayals of a feisty woman fed up with her smug Lacanian-intellectual lover (“Ineluctable Modality of the Vaginal”) and a minor L.A. actress (who specializes in “well-paying but shallow roles in commercials”) caught up in teen-gang crossfire at a local McDonald’s (“Carousel”). Authentic emotion replaces arbitrary weirdness only in the opening and closing pieces, tragicomic farces spun from their possible deeply personal animating ideas: the death of a beloved sister, and how best to appropriately memorialize and honor it.
An infuriatingly uneven second collection (after The Ring of Brightest Angels Around Heaven, 1995) whose chaotic feel and flow prove both seductive and alienating. Moody marches on, to the beat of a drummer so different many readers may be unable to hear it at all.Pub Date: Jan. 25, 2000
ISBN: 0-316-58874-1
Page Count: 320
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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