The fictional characters, so vivid in The Evidence Against Her (2001), have paled as they have aged, and even the passions...
The third installment of Dew’s portrait of the Scofield clan of Washburn, Ohio (The Truth of the Matter, 2005, etc.), focuses on the aging of matriarch Agnes.
When the novel opens in 1953, Agnes is in her early 50s, long widowed and living alone in the big old Scofield manse, which she can barely maintain on her teacher’s salary. Now that her three older children, Claytor, Betts and Dwight (actually her much younger brother but raised as a son), are married and raising their own families with varying success, while the youngest, Howard, is about to marry, Agnes’s maternal interest does not stretch much beyond dutiful. She receives comically awkward overtures of affection from a clueless filmmaker intent on documenting daily life in Washburn. The fact that the filmmaker is tone-deaf to the nuances of the lives he follows is the novel’s best, slightly mean joke. Agnes’s real suitor is Sam Holloway. Her son-in-law Will’s business partner, Sam is considerably younger than Agnes but proves a perfectly companionable and practical mate. More passionate, though not by much, is alcoholic Claytor’s relationship with his Southern wife Lavinia, who eschews the prevalent Midwestern decorum, a combination of restraint and etiquette that she derides in a speech that gives the novel its title. Lavinia is the only source of energy among carefully self-controlled characters in a formal narrative that mirrors too closely the very midcentury, Middle American reserve being recorded. The second half of the novel passes in quick succession through the later ’50s and ’60s and into the early ’70s, recording births, illnesses, family gatherings and small crises but no serious drama. Most interesting are historical tidbits Dew drops in, from the polio epidemic of the ’50s to Wernher von Braun’s reaction to JFK’s death to the desegregation of Little Rock’s high school.
The fictional characters, so vivid in The Evidence Against Her (2001), have paled as they have aged, and even the passions of the younger generation are too muted to engage the reader.Pub Date: Jan. 6, 2011
ISBN: 978-0-316-88950-6
Page Count: 304
Publisher: Little, Brown
Review Posted Online: Oct. 13, 2010
Kirkus Reviews Issue: Nov. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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