A wild ride with entertainers serving during WWII.
O’Connor’s historical novel highlights the “Jeep shows” that entertained soldiers during World War II.
Jim Tanzer (based on the real-life Jim Hetzer) is a song-and-dance man who enlists in the military to fight in WWII. He’s quickly assigned to the Morale Corps at Camp Sibert. “You’ll be entertaining combat soldiers in places where the USO can’t go,” his captain tells him. One of his fellow enlisted men is Mickey Rooney (who actually was in the Morale Corps during the war). They are two among a cast of more than 50 in a show called Hip Hooraythat travels to New York and London before it’s disbanded in favor of “Jeep shows,” in which teams made up of one driver and two performers are sent out in a Jeep to perform for the troops. Jim, Mickey, and their friend Wes are one such team traveling to various battlegrounds, including the Ardennes and the famed Battle of the Bulge. The action hops back and forth in time, providing readers with depictions of an 11-year-old Jimmy’s introduction to vaudeville and his relationship with his wife, Stella. It seems odd to call a World War II novel “delightful,” but that’s exactly what you get with O’Connor’s mix of history and fiction as battles rage on and enlisted men entertain the troops. The narrative covers a wide swath, from drama onboard ships to dealing with nasty weather to, of course, the travails of the injured (including Jim) and the dead during the war. It’s a fascinating look at a part of the military that many folks probably have never heard of. The characters, both real and imagined, are well drawn, and the author has a knack for dialogue that rings true. There’s also humor, thanks in no small part to Rooney’s presence. The interjection of real-life characters, particularly Rooney, isn’t jarring; in fact, it serves as a useful reminder that Jim Hetzer was a very real person. This is a compelling mix of showbiz and war, laughter and tears—a fine line that O’Connor walks well.
A wild ride with entertainers serving during WWII.Pub Date: Nov. 21, 2024
ISBN: 9780990888451
Page Count: 348
Publisher: OKPI Publishing
Review Posted Online: Nov. 26, 2024
Kirkus Reviews Issue: Jan. 15, 2025
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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