by Robert D. San Souci & illustrated by Gary Kelley ‧ RELEASE DATE: Sept. 1, 1996
This original tale from San Souci (Kate Shelley, 1995, etc.), based on a colonial New England legend, makes a richly imagined and tenderly evocative love story. A traveling cobbler, Jonathan Dowse, comes to the home of Rebecca Wyse. She asks him to make new shoes for her, using the fancy red heels of an old pair that belonged to her mother and grandmother. Jonathan feels fear, for red heels are the sign of a witch. Spying on Rebecca that night, he finds ``her secret delight''—she dances on the moonlit pond. She sees him, and he dances, too; it becomes their nightly habit. Despite their growing mutual attachment, he feels he must go on to establish his own store. The next autumn Rebecca appears there and asks him to attach new shoes, suitable for a ``goodwife,'' to the red heels, for she can no longer dance without him. She ends up with two pairs—``One sturdy enough for the day's work; one airy enough for the night''- -and Jonathan has also made a dancing pair for himself. The couple wed, and flourish, and, occasionally, dance. The muted autumnal colors of Kelley's pastel illustrations make a fine foil for the unforced depths of this lovely tale: San Souci respects and rejoices in the workaday and magical dualities of life and love. What an extraordinary gift for young readers: a romance that hints at the real complexity of adult love without sentimentality, coyness, or sexism. (Picture book/folklore. 5-9)
Pub Date: Sept. 1, 1996
ISBN: 0-8037-1134-4
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
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by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by Pete Seeger & Paul Dubois Jacobs & illustrated by Michael Hays ‧ RELEASE DATE: Oct. 1, 2001
The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83271-0
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
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