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MADELEINE'S GHOST

Corrupted Creole civility complicates the life of a Brooklyn bohemian—in a spirited debut deftly mingling past, present, and the vastly different worldviews of New Orleans and New York. Ned Conti is a 32-year-old graduate student down and out in New York, passing time in East Village bars, avoiding work on his dissertation, and still mending from a disastrous love affair broken off ten years before. Adding insult to injury is a ghost in his dingy Brooklyn apartment: Furniture moves, stones fall from the ceiling, and he catches glimpses of a former time and inhabitant. A fruitless job researching a locally venerated 19th-century nun for his parish priest, who presides over her mummified remains and hopes to give Brooklyn its first saint, does little to improve Ned's state of mind. And when a Gypsy friend conducts a sÇance in order to get to the bottom of his ghost problem, but something goes awry and she jumps into the East River, he finds he's touching bottom himself. Then he's mugged and pistol-whipped. Meanwhile, his ex-amour, raven-haired New Orleans belle Antoinette, phones out of the blue to invite him to her family's bayou gathering, and in a speed-freaking, fast-lane frenzy the two pick up where they left off—for a few days. Back in Brooklyn, drained and thoroughly bewildered, Ned finally discovers the truth about the nun, his ghost, and Antoinette—though it'll takes hallucinations, an unauthorized visit to the mummy's crypt, and a near-death experience to provide missing links. Forsaking the city of dreams and despair once and for all, Ned lives happily ever after with Antoinette in the city where he truly belongs. The romance in Girardi's first novel has an undeniable sappiness, but entrancing scenes and characters, exquisite timing, and a mausoleum full of plot twists make for a fluid and truly memorable delight.

Pub Date: July 25, 1995

ISBN: 0-385-31482-5

Page Count: 354

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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