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CAN’T BE SATISFIED

THE LIFE AND TIMES OF MUDDY WATERS

Excellent on the music, sketchy on the life. (16 pages b&w photos, not seen)

An upbeat if limited biography of the great blues singer and guitarist.

Born McKinley A. Morganfield in 1913, he was raised on the Stovall plantation near Clarksdale, Mississippi, by a grandmother who nicknamed him Muddy. Music journalist and documentary filmmaker Gordon (It Came From Memphis, not reviewed) impresses with his portrait of Muddy's early years, seeming equally knowledgeable about Delta geography, sharecropping finances, and early bottleneck slides. Muddy picked cotton, trapped furs, and helped bootleggers by day while learning the blues at night from Son House and Robert Johnson. The text focuses on music, covering Muddy’s first marriage in one paragraph but devoting a complete chapter to his famous 1941 Fisk University/Library of Congress “folklore” recording. After Muddy moves to Chicago in 1943, this focus causes confusion; so many people play in his band (a showcase for talented members who often left to become headliners) or live in his large, friendly home that his personal life becomes a disconcerting blur. Playing street corners, house parties, and clubs like the Zanzibar, Muddy became a top blues man and attracted the finest musicians. His band was best as a quintet of two guitars, harmonica, drum, and piano, and it was most productive from 1947 to 1955, when the hits “Mannish Boy,” “Rolling Stone,” and “Hoochie Coochie Man” were recorded by the Chess brothers, Polish-Jewish immigrants who had expanded from nightclubs into the music business. The blues took a commercial hit from the rise of rock ’n’ roll in the mid-’50s, but popularity in Europe and at the Newport Jazz Festival (beginning in 1960) kept Muddy working, and he gradually became a revered elder statesman. In the ’70s, he played Carnegie Hall and the Carter White House, touring with Eric Clapton before cancer took his life in 1983.

Excellent on the music, sketchy on the life. (16 pages b&w photos, not seen)

Pub Date: May 23, 2002

ISBN: 0-316-32849-9

Page Count: 416

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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