by Robert H. Patton ‧ RELEASE DATE: May 20, 2008
A pleasing mixture of high-seas adventure and shrewd analysis.
An illuminating look at an underappreciated chapter of the Revolutionary War: the daring, faintly disreputable, privateer war on British maritime interests.
As Robert Morris, financier to the American Revolution, remarked of the British, “They have much more property to lose than we have.” Accordingly, and following wartime conventions of the era, the Continental Congress commissioned citizen sailors to attack British shipping. For their towering self-interest and for the drain they took on scarce resources necessary to the Continental Navy, John Paul Jones detested them. For carrying the war to the British, Washington, Franklin and John Adams, from a polite remove, cheered them on. For the staggering potential profit, the nation’s leading financiers, Philadelphia’s Morris, the notorious Browns of Providence and an entirely new generation of entrepreneurs and speculators rushed to fund them. Patton (Life Between Wars, 1997, etc.) tells marvelous sea stories about privateers Jeremiah O’Brien, John Manley, James Mugford, Gustavus Conyngham and about the Royal Navy, charged with the impossible task of patrolling a 1,000 miles of coastline with only 50 warships to protect against the depredations of these “legal” pirates. Though the privateers had much to gain, if captured they were denied all rights typically accorded prisoners of war and held under the terms of Parliament’s controversial “Pirate Act of 1777,” untried and without the possibility of exchange in wretched prison ships. Patton also subtly examines the curious interplay between patriotic purpose and economic gain, and the always uneasy marriage between public service and private speculation. Through his sensitive treatment of Morris and the Browns—and especially of Silas Deane, the colonies’ agent in France—and of Nathanael Greene, Washington’s favorite general, the author demonstrates how, from the beginning, rampant capitalism compromised the virtue of the infant republic and how privateering specifically accustomed the country to a variety of enduring, sometimes dubious, financial practices.
A pleasing mixture of high-seas adventure and shrewd analysis.Pub Date: May 20, 2008
ISBN: 978-0-375-42284-3
Page Count: 320
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Joshua Davis ; adapted by Reyna Grande
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edited by Reyna Grande & Sonia Guiñansaca
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by Reyna Grande
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