In the author’s notes that end the novel, Löhr explains what is based on historical record and what he has invented, but...
Rich in detail and psychological depth, this historical novel of 18th-century Europe has plenty of contemporary resonance for American readers.
German journalist Löhr’s debut novel is based on a true story of deception, during a period when society was enamored with the previously unimagined possibilities of technology. A minor nobleman in the Viennese court, Baron Wolfgang von Kempelen witnesses the queen’s infatuation with automatons that can accomplish basic tasks. A charlatan at heart, Kempelen promises that, within six months, he can construct an automaton that will play chess at the highest levels. Such a thinking machine clearly presages the computer, but the baron has neither the ingenuity nor the intent to meet the challenge. Instead, he happens upon an Italian dwarf who is a chess master (but whose size makes him vulnerable to attacks from those who play or bet against him). Though the dwarf is also a devout Christian, uncomfortable with the deception that the baron’s scheme requires, the baron coerces him into secreting his tiny frame into the chess-playing machine that Kempelen is building. Billed as the Mechanical Turk, a dark master from the inscrutable East, the chess-playing automaton becomes the rage across Europe, though at least one rival for the queen’s favor suspects the subterfuge. There’s an undercurrent of ethnic tension throughout the novel, with the exotic Turk, the Christian dwarf, the amoral Kempelen and his Jewish assistant embodying distinctions of class and religion, while the attempts to penetrate the secrets of the automaton result in espionage, deception, seduction and perhaps murder. Ultimately, the major characters seem to be enacting a real-life game of chess, one in which winning or losing has the most serious consequences.
In the author’s notes that end the novel, Löhr explains what is based on historical record and what he has invented, but this is a work of such marvelously creative imagination that it makes little difference what’s factual and what isn’t—it all rings true.Pub Date: July 9, 2007
ISBN: 978-1-59420-126-4
Page Count: 344
Publisher: Penguin Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2007
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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