Brand-Name Bob’s Back!!! Battle stations! Battle stations!
Rising from the dead, Ludlum’s fourth postmortal burlesque in the Covert-One biotech series (lotsa germs!), with US President Castilla’s ultrasecret personal agency’s virologist, Lt. Colonel Jon Smith, M.D., lately retired from the Army Medical Research Unit for Infectious Diseases.
Lynds’s fleshing out of Robert Ludlum’s The Paris Option (2002), like her first venture in this original trade paperback series, was far smoother and less hysterical than old Bob. Hosts of readers, however, preferred by far Ludlum’s manic hand to Lady Gayle’s pressed prose and silken twilights over the arrondissements. But only Bob can kill nine people on the Bahnhofsträsse in a thriller’s opening three pages, then leapfrog continent to continent leaving blood-splotched prints. So, germicidally, what’s up? The Iraqis want to buy some bioweapons from China! Now who could believe that? On a dark Shanghai dock we watch barrels secretly loaded onto the freighter The Dowager Empress while a spy taking pictures gets offed. Covert-One informs the president that the ship carries tons of thiodiglycol and thionyl chloride, used in both blister and nerve weapons. But hasn’t China signed a prohibition against chemical weapons? That ship cannot unload at Basra! Call biomolecular agent Smith in Taiwan! Smith must get Empress’s manifest for payment in Baghdad to the president. Last place the Navy can board that freighter is the Strait of Hormuz in the Persian Gulf in five days. And—my God—the Chinese have held David Thayer, the president’s real father, prisoner since 1949! Wow. Can we get him out? Can Smith steal the true Empress manifest in Shanghai and outwit security chief Feng Dun, that vicious sorcerer? What will happen when Jon Smith meets by night with agent Adrian Mondragon on the outskirts of Taiwan to receive the manifest? And what is the Altman Code? Can it have anything to do with top-level leaks at the White House?
Brand-Name Bob’s Back!!! Battle stations! Battle stations!Pub Date: June 17, 2003
ISBN: 0-312-28990-1
Page Count: 416
Publisher: St. Martin's Griffin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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