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THE OLD WAYS

A JOURNEY ON FOOT

A breathtaking study of “walking as enabling sight and thought rather than encouraging retreat and escape.”

Macfarlane (English/Cambridge Univ.; The Wild Places, 2008, etc.) returns with another masterful, poetic travel narrative.

The author’s latest, focusing broadly on the concept of walking, forms what he calls “a loose trilogy,” with his two earlier books, Mountains of the Mind and The Wild Places, “about landscape and the human heart.” As in his previous books, it seems nearly impossible that a writer could combine so many disparate elements into one sensible narrative. It’s ostensibly a first-person travelogue (of England, Spain, Palestine, Tibet and other locales), combined with biographical sketches (such as that of poet Edward Thomas, who died on a battlefield in France in 1917) and historical anecdotes about a wide variety of subjects (e.g., a set of 5,000-year-old footprints made by a family along the coastline just north of Liverpool). In the hands of a lesser writer, these divergent ideas would almost certainly result in unreadable chaos, but Macfarlane effortlessly weaves them together under the overarching theme of “walking as a reconnoitre inwards, and the subtle ways in which we are shaped by the landscapes through which we move.” While this notion may seem abstract, the author’s resonant prose brings it to life—whether he is writing about the mountains of Tibet, where a half-frozen stream is “halted mid-leap in elaborate forms of yearning,” or the mountains of Scotland to which he returned for his grandfather’s funeral, where he found “moonlight shimmering off the pine needles and pooling in the tears of resin wept by the pines.”

A breathtaking study of “walking as enabling sight and thought rather than encouraging retreat and escape.”

Pub Date: Oct. 15, 2012

ISBN: 978-0-670-02511-4

Page Count: 320

Publisher: Viking

Review Posted Online: Aug. 4, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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